Metafiction
著者
書誌事項
Metafiction
（Longman critical readers）
Longman, 1995
- : hbk
- : pbk
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注記
A collection of articles previously published in various sources, 1967-1990
Bibliography: p. 246-248
Includes index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780582212916
内容説明
This series provides volumes of readings on critical theories. Each volume includes a substantial introduction which explores the theoretical issues and conflicts embodied in the essays selected and locates areas of disagreement between positions. The pluralism of theories has to be put on the agenda of literary studies.
目次
- Part 1 Defining metafiction: metafiction, Robert Scholes
- what is metafiction and why are they saying such awful things about it?, Patricia Waugh
- metanarrative signs, Gerald Price. Part 2 Historigraphic metafiction: historigraphic metafiction, Linda Hutcheon
- British historigraphic metafiction, Susana Onega
- the question of narrative in contemporary historical theory, Hayden White. Part 3 The writer/critic: the novel now, David Lodge
- the literature of exhaustion, John Barth
- from "Reflections on the Name of the Rose", Umberto Eco. Part 4 Readings of metafiction: the art of metafiction, Larry McCaffery
- metafiction, the historical novel and Coover's "The Public Burning", Raymond A. Mazurek
- the novel, illusion and reality - the paradox of omniscience in "The French Lieutenant's Woman", Frederick M. Holmes
- a novel which is a machine for generating interpretations, Elizabeth Dipple.
- 巻冊次
-
: pbk ISBN 9780582212923
内容説明
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form.
Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.
目次
General Editor's Preface
Acknowledgements
Introduction
Part One: Defining Metafiction
1. Robert Scholes, Metafiction.
2. Patricia Waugh, What is metafiction and why are they saying such awful things about it?
3. Gerald Prince, Metanarrative signs.
Part Two: Historiographic Metafiction
4. Linda Hutcheon, Historiographic metafiction.
5. Susana Onega, British historiographic metafiction.
6. Hayden White, The question of narrative in contemporary historical theory.
Part Three: The writer/critic
7. David Lodge, The novel now.
8. John Barth, The literature of exhaustion.
9. Umberto Eco, From Reflections on the "Name of the Rose".
Part Four: Readings of Metafiction
10.Larry McCaffery, The art of metafiction.
11.Raymond A Azurek, Metafiction, the historical novel and Coover's "The Public Burning".
12.Frederick M Holmes, The Novel, illusion and reality: the paradox of omniscience in "The French Lieutenant's Women".
13.Elizabeth Dipple, a novel which is a machine for generating interpretations.
Bibliography
Index
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