Queering the pitch : the new gay and lesbian musicology
著者
書誌事項
Queering the pitch : the new gay and lesbian musicology
Routledge, 1994
- : pbk
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収録内容
- Queering the pitch: a posy of definitions and impersonations / Wayne Koestenbaum
- Musicality, essentialism, and the closet / Philip Brett
- Sapphonics / Elizabeth Wood
- On a lesbian relation with music: a serious effort not to think straight / Suzanne G. Cusick
- A conversation with Ned Rorem / Lawrence D. Mass
- Henry Lawes's setting of Katherine Philips's friendship poetry in his Second Book of Ayres and Dialogues, 1655: a musical misreading? / Lydia Hamessley
- Unveiled voices: sexual difference and the castrato / Joke Dame
- "Was George Frideric Handel gay?": on closet questions and cultural politics / Gary C. Thomas
- Constructions of subjectivity in Schubert's music / Susan McClary
- Eros and orientalism in Britten's operas / Philip Brett
- Queer thoughts on country music and k.d.lang / Martha Mockus
- Lesbian compositional process: one lover-composer's perspective / Jennifer Rycenga
- Growing up female(s): retrospective thoughts on musical preferences and meanings / Karen Pegley and Virginia Caputo
- Authority and freedom: toward a sociology of the gay choruses / Paul Attinello
内容説明・目次
- 巻冊次
-
ISBN 9780415907521
内容説明
Is music the patriarchy's most powerful weapon in constructing and controlling sexual roles? If you scratch an opera queen, will you find a lesbian? "Queering the Pitch" aims to provoke readers into questioning what it is that makes music pleasurable, and how it is shaped by notions of sexuality and sexual identity. A collection of gay and lesbian work in music and musicology, this book contains a wealth of diverse approaches which signal a controversial advance in the field. Musicologists, scholars, academics, critics, performers and composers examine the areas of musical education, voice and listening, history and biography, as seen through an interdisciplinary and political eye. The essays cover a broad range of topics: lesbian experience and the process of making music; the part gay choruses play in the personal, political and theoretical understanding of what it means to be gay; and a discussion of the way specific musical elements configure female or lesbian adolescent sexuality. Readings of musical works are given - such as Schubert's "Unfinished Symphony" and little-known 17th-century songs - as well as discussions of modern gay composers.
- 巻冊次
-
: pbk ISBN 9780415907538
内容説明
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
目次
1. Queering the Pitch: A Posy of Definitions and Impersonations Part 1: Canons and Arias 2. Musicality, Essentialism, and the Closet 3. Sapphonics 4. On a Lesbian Relation with Music: A Serious Effort Not to Think Straight 5. A Conversation with Ned Rorem Part 2: Chronicles 6. Henry Lawes's Setting of Katherine Philips's Friendship Poetry in His Second Book of Ayres and Dialogues, 1655: A Musical Misreading? 7. Unveiled Voices: Sexual Difference and the Castrato Joke Dame 8. "Was George Frideric Handel Gay?": On Closet Questions and Cultural Politics 9. Constructions of Subjectivity in Schubert's Music 10: Eros and Orientalism in Britten's Operas 11. Queer Thoughts on Country Music and k.d. lang Part 3: Consorts 12. Lesbian Compositional Process: One Lover-Composer's Perspective 13. Growing up Female(s): Retrospective Thoughts on Musical Preferences and Meanings 14. Authority and Freedom: Toward a Sociology of the Gay Choruses Part 4: Coda Preface 15. Lesbian and Gay Music
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