Notes from underground : rock music counterculture in Russia

Author(s)

• Cushman, Thomas

Bibliographic Information

Notes from underground : rock music counterculture in Russia

Thomas Cushman

（SUNY series in the sociology of culture）

State University of New York Press, c1995

• : pbk

Note

Includes bibliographical references (p. 373-389) and index

Description and Table of Contents

Description

Notes From Underground offers the first Western sociological study of rock music and counterculture in Russian society. Based on participant observation, in-depth interviews, and life-history analysis, the author provides a detailed ethnographic examination of the origins and local meanings of rock music and the countercultural way of life of rock musicians in St. Petersburg during the socialist period of Russian history. Rock music served as the basis for alternative forms of individual and collective identity which stood as beacons of difference and resistance in the bleak cultural environment of socialist industrial society. Cushman explores the experiences of members of the St. Petersburg musical community after the dissolution of the Soviet Union in order to shed light on the following questions: What happens to oppositional "underground" culture when it "comes up from the underground?" What is the fate of Russian rock music and those who make it under new conditions of the rapid capitalist rationalization of post-Soviet Russian society? The book traces the experiences of musicians in new capitalist culture markets, both in Russia and in Western societies to illustrate the more general process of "commercialization of dissent" which is taking place in post-communist societies. Russia's entrance into the path of Western capitalist modernity is viewed not so much as a path to freedom and cultural autonomy, but as the intersection of two trajectories of modernity that has given rise to new and unique cultural dilemmas. It concludes with an examination of important theoretical issues about the problematic relationship between capitalism, cultural freedom, and democracy in contemporary Russian society.

Table of Contents

Preface Acknowledgments 1. A Recovery of the Senses: Toward a Critical-Interpretive Sociology of Russian Culture 2. Stories from Underground: The Origins of St.Petersburg Rock Music Counterculture 3. Musical Identity and Authenticity: The Local Meanings of Rock Music in St. Petersburg 4. At Play in the Fields of the Soviets: Individual and Collective Identity in the St. Petersburg Rock Music Community 5. Notes from Underground: Glasnost, Perestroika, and the St. Petersburg Rock Music Community 6. The Tusovka Is Over: The Acceleration of Capitalism and the St. Petersburg Rock Music Counterculture 7. Conclusion: Capitalism, Cultural Freedom, and Democracy in Post-Soviet Russia Appendix 1. Researching Russian Counterculture: Some Reflections on Method Appendix 2. The Structure and the Intonation of Rock Songs and Songs by VIAs Glossary Notes Bibliography Index

by "Nielsen BookData"

• NCID: BA26262403
• ISBN:
  • 0791425436
  • 0791425444
• LCCN: 95001541
• Country Code: us
• Title Language Code: eng
• Place of Publication: Albany
• Pages/Volumes: xxiv, 403 p.
• Classification:
  • LCC : ML3534
  • DC20 : 306.4/84
• Subject Headings:
  • LCSH : Rock music -- Russia (Federation) -- History and criticism
  • LCSH : Music and society
• Parent Bibliography ID:
  • BA10051599