Literary and art theories in Japan
著者
書誌事項
Literary and art theories in Japan
（Michigan classics in Japanese studies, no. 6）
Center for Japanese Studies, University of Michigan, 1991
大学図書館所蔵 全16件
注記
Originally published: Cleveland, Ohio : Press of Western Reserve University, c1967
Includes bibliographical references (p. 252-269) and index
内容説明・目次
内容説明
Literary and Art Theories in Japan surveys thirteen major aestheticians to uncover what remained important over the course of Japanese history. Rather than take a comprehensive descriptive approach, Makoto Ueda focuses on views of the essential nature of literature and art, considering how people answered questions such as "How does art differ from life?" or "What is the use of art?" or "Can art ever become a religion?"
Literary and Art Theories helps readers gain a deeper understanding of Japanese literature and art. By learning about the philosophies of art in Japan, readers come to know the aims and methods with which the Japanese produced paintings, music, plays, novels and poems. As it happens, many of the major Japanese aestheticians were also great artists, so the person who carefully examines their theories of art will be rewarded with a glimpse into the secret of their creative achievements too.
Ueda's examination of Japanese aesthetic ideas also contributes to an international definition of art. Attempts to answer the questions "What is art?" or "What is literature?" are nearly always formulated within a single cultural tradition, but a definition of art that makes any claim to universality must be applicable to all traditions. Japanese theories of art, which developed independently of Western culture, provide a touchstone by which to test the universal validity of a Western aesthetic concept.
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