Asymptote : architecture at the interval
著者
書誌事項
Asymptote : architecture at the interval
Rizzoli International Publications, 1995
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Founded in New York in 1987, Asymptote is a highly regarded, innovative young firm whose avant-garde work includes building designs, urban planning proposals, gallery installations, and computer-generated imaging and environments. Asymptote's practice explores the meaning of architectural production in today's post-information age, when digital and telecommunications technology and an increasingly sophisticated media are radically changing our perception of space and time. In this first volume of their work, Asymptote presents fifteen speculative and experimental works and ten architectural projects, many of which were for prestigious international invited competitions. These include the new library for Alexandria, Egypt; the Moscow State Theater; a national courthouse for Groningen, the Netherlands; the Berlin Spreebogen, a new parliamentary precinct; and a proposal for a new city center in Lanciano, Italy. Also featured is Asymptote's award-winning design for the Los Angeles West Coast Gateway, a national monument commemorating Pacific Rim immigration. Their work has been exhibited in Paris, Berlin, London, Kyoto, Montreal, Los Angeles, Toronto, and New York. Hani Rashid and Lisa Anne Couture, Asymptote's principal's, introduce the book with a lyrical essay, an appeal for a new architecture that is anticipatory, imperfect, and precisely misaligned. A critical essay by Frederic Migayrou discusses Asymptote's practice in the context of contemporary architectural theory and practice.
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