Metaphor : a musical dimension
著者
書誌事項
Metaphor : a musical dimension
（Musicology : a book series, v. 15）
Gordon & Breach, c1994
大学図書館所蔵 全5件
注記
Includes bibliographical references and index
Originally published: Sydney : Currency Press, 1991 (Australian studies in the history, philosophy and social studies of music ; v. 1)
内容説明・目次
内容説明
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
目次
Editor's Preface, Introduction to the Series, TWO TYPES OFMETAPHORIC TRANSFER, Introduction, The Image of an Arch, An Alternate Image, Return to the Arch, Conclusion, Notes, References, UNDERSTANDING STYLE: WOLFFLIN'S PRINCIPLES OF ART APPLIED TO MUSIC, Introduction, Wolfflin's Theory, Applying the Theory to Painting, Applying the Theory to Music, Conclusion, Notes, References, CONVERGENCE AND DIVERGENCE: THE INTERDEPENDENCE OF POETICAL AND MUSICAL STRUCTURES IN ATONAL AND EARLY TWELVE-TONE WORKS BY ARNOLD SCHOENBERG, Introduction, Two Types of Text Setting, Identity of Word: The Symbol fliegt [flying], Semantic Function of the Klangflache, Conclusion, Notes, Acknowlegments, References, MEANING IN THE MUSIC OF CHARLES IVES, Introduction, Sensory Images, Humor, Literary Ideas, Parody, Conclusion, Notes, Acknowledgments, References, SOCIAL COMMENTARY IN THE MUSIC OF HAYDNS GOLDONI OPERAS, Introduction, Haydn's setting of Lo speziale and Le pescatrici, Haydn's setting of II mondo delia luna, Conclusion: Haydn as Musical Dramatist, Acknowledgment, References, MUSIC AS A SIGHT IN THE PRODUCTION OF MUSICS MEANING, Introduction, Music Party (1633): A Case Study, Music as Visual Metaphor, Conclusion, Notes, References, MUSIC AND SHAMANIC POWER IN THE GESAR EPIC, Introduction, The Gesar Epic of Tibet, Namt'ar, Gur Songs and Song Contests, The Gesar Epic and Shamanic Vision, Shamanic Power in the Gesar Epic, Conclusion, Glossary, Acknowledgments, References, Tibetan Texts, THE JAVANESE COURT BEDHAYA DANCE ASA TANTRICANALOGY, Introduction, The Dance Formations: Inscribing Esoteric Meaning, The Story: Inscribing Exoteric Meaning, Conclusion, Notes, Glossary, References, BELIAN AS A SYMBOL OF COSMIC REUNIFICATION, Introduction, The Petalangan World, The Relations between Petalangan Music and the Spirits, Forms and Functions of Belian, Social Structure and Origins of Belian, The Ketobung Drum as Artifact and Symbol, Musical Structures and Petalangan Social Structures, The Performance Context, Glossary, Acknowledgments, References, MUSICAL MODES AND THE MEDICAL DIMENSION: THE ARABIC SOURCES (c.900-c.l600), Introduction, Music Therapy as a Component of Universal Harmony: The Philosopher's Point of View, Medicine and Music: The Physician's Point of View, Musical Modes and Medical Treatment, Conclusion, Notes, Glossary, References, MANA LA MODE: OR REINTERPRETING THE BOOK OF NATURE FROM A MUSICAL POINT OF VIEW, Introduction, Body as a Consort of Music Instruments, Mind as the Conductor of the Instruments, Spirit as the Composer and the Musical Score, Conclusion, Acknowledgments, Notes, ANALOGY IN LEONARD B. MEYER'S THEORY OF MUSICAL MEANING, Introduction, Meyer, Meaning and the Pragmatists, Meyer's Theory of Meaning, Divergent Events, Deconstruction, Conclusion, Acknowledgments, References, ANALOGY IN MUSIC: ORIGINS, USES, LIMITATIONS, Introduction, Origins, Uses, Limitations, Conclusion, Notes, Contributors, Index
「Nielsen BookData」 より