The women of 1928
著者
書誌事項
The women of 1928
（Refiguring modernism / Bonnie Kime Scott, v. 1）
Indiana University Press, c1995
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注記
Bibliography: p. [289]-307
Includes index
内容説明・目次
- 巻冊次
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ISBN 9780253209955
内容説明
In volume one of this revisionary study of modernism, Bonnie Kime Scott focuses on the literary and cultural contexts that shaped the professional and creative development of Virginia Woolf, Rebecca West, and Djuna Barnes: gifted parents and dysfunctional families; their attachments to the celebrated modernism of the oMen of 1914O; Edwardian ounclesO who commanded the publishing world while dabbling in the sexual liberation of the new woman; and the suffrage movement. Scott argues that Woolf, West, and Barnes emerged with their own distinct personal arrangements and literary concerns in a second flourishing of modernismNthe oWomen of 1928ONthe hallmarks of which were WoolfOs Orlando, WestOs The Strange Necessity, BarnesOs Ryder and Ladies Almanack, and their responses to the landmark censorship trial of Radclyffe HallOs lesbian novel The Well of Loneliness. Aware of the nature of literary markets on both sides of the Atlantic, and of personal and sexual needs, these authors devised corresponding professional and personal arrangements.
ScottOs contextual approach is based upon fresh archival explorations and, in addition, takes on the challenge of combining postmodern with feminist theory.
目次
Acknowledgments Abbreviations Introduction Part One: Beginnings 1. (Dys)functional Families 2. Edwardian Uncles 3. Stretching the Scope of Suffrage 4. Midwives of Modernism Part Two: The Men of 1914 5. Ezra Pound: Plunging Headlong into Female Chaos 6. Wyndham Lewis: Above the Line of Messy Femininity 7. T.S. Eliot: Playing Possum 8. James Joyce: Halting Female Pens with Ulysses 9. Lawrence, Forster, and Bloomsbury: Male Modernist Others Part Three: The Women of 1928 10. Arranging Marriages, Partners, and Spaces 11. Becoming Professionals 12. Rallying round The Well of Loneliness Notes Bibliography Index
- 巻冊次
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ISBN 9780253329363
内容説明
In volume one of this revisionary study of modernism, Bonnie Kime Scott focuses on the literary and cultural contexts that shaped the professional and creative development of Virginia Woolf, Rebecca West, and Djuna Barnes: gifted parents and dysfunctional families; their attachments to the celebrated modernism of the Men of 1914; Edwardian uncles who commanded the publishing world while dabbling in the sexual liberation of the new woman; and the suffrage movement. Scott argues that Woolf, West, and Barnes emerged with their own distinct personal arrangements and literary concerns in a second flourishing of modernism, the "Women of 1928" the hallmarks of which were Woolf's "Orlando", West's "The Strange Necessity", Barnes's "Ryder and Ladies Almanack", and their responses to the landmark censorship trial of Radclyffe Hall's lesbian novel "The Well of Loneliness". Aware of the nature of literary markets on both sides of the Atlantic, and of personal and sexual needs, these authors devised corresponding professional and personal arrangements.
Scott's contextual approach is based upon fresh archival explorations and, in addition, takes on the challenge of combining postmodern with feminist theory.
目次
Acknowledgments Abbreviations Introduction Part One: Beginnings 1. (Dys)functional Families 2. Edwardian Uncles 3. Stretching the Scope of Suffrage 4. Midwives of Modernism Part Two: The Men of 1914 5. Ezra Pound: Plunging Headlong into Female Chaos 6. Wyndham Lewis: Above the Line of Messy Femininity 7. T.S. Eliot: Playing Possum 8. James Joyce: Halting Female Pens with Ulysses 9. Lawrence, Forster, and Bloomsbury: Male Modernist Others Part Three: The Women of 1928 10. Arranging Marriages, Partners, and Spaces 11. Becoming Professionals 12. Rallying round The Well of Loneliness Notes Bibliography Index
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