1920 Diary
著者
書誌事項
1920 Diary
Yale University Press, c1995
- : cloth
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translated from Russian
Includes bibliographical references (p. 109-126)
内容説明・目次
内容説明
The Russian writer Isaac Babel (1894-1940) is acknowledged to be one of the great masters of 20th century literature, hailed as a genius by such critics as Lionel Trilling and Irving Howe. The work for which he is best known is a cycle of stories called "Red Cavalry", which depicts the exploits of the Cossack cavalry during the Polish-Soviet war of 1919-1920 and is based on Babel's experiences as he rode with the Cossacks during the campaign. Babel kept a diary during this period, in which he recorded the devastation of the war, the extreme cruelty of the Polish and Red armies alike towards the Jewish population in the Ukraine and Eastern Poland, and his own conflicted role as both Soviet revolutionary and Jew. The "1920 Diary" was a vital source for "Red Cavalry" as well as a compelling narrative. The "1920 Diary" is a contemporary account of the tragedy of Eastern European Jewry during this period. The diary also yields insights into Babel's personal evolution, showing his youthful curiosity and his anguish as, frequently concealing his own Jewish identity, he mingled with the victimized Jews of the region's shtetls and with his Cossack comrades.
Finally, the diary sheds light on Babel's artistic development, revealing the path of the Red Cavalry cycle.
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