A handbook of the Troubadours
著者
書誌事項
A handbook of the Troubadours
(Publications of the Center for Medieval and Renaissance Studies, UCLA, 26)
University of California Press, c1995
- : pbk
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 467-474) and index
内容説明・目次
- 巻冊次
-
ISBN 9780520079755
内容説明
This is a reference work and digest on more than a century of scholarly work on troubadour poetry. The book summarizes the current consensus on the various facets of troubadour studies and provides a list of troubadour editions, with each chapter including a list of additional readings. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the 12th and 13th centuries in the South of France. The courtly love celebrated in the elaborately rhymed stanzas of troubadour verse was imitated by poets and musicians all over medieval Europe. All quotations in the book are given in the original Old Occitan and in English.
- 巻冊次
-
: pbk ISBN 9780520079762
内容説明
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings.
目次
ACKNOWLEDGMENTS
Introduction
F. R P. Akehurst
1. An Overview: Why the Troubadours?
Paul Zumthor
The Essentials
2. The Lyric Texts
Amelia E. Van Weck
3. Fin'amor
Moshe Lazar
4. Versification
Frank M. Chambers
5. Music
Hendrik van der Werf
Accessory Texts
6. The Non-lyric Texts
Suzanne fleischman
7. The Vidas and Razos
Elizabeth W Poe
A Subgroup: The Women Troubadours
8. The Trobairitz
Matilda Tomaryn Bruckner
Origins and Diffusion
g. Origins
Gerald A. Bond
10. Northern France
Deborah H. Nelson
11. The Minnesingers
Stephanie Cain Van D'Elden
12. The Iberian Peninsula
Joseph T. Snow
13. Italy
Ronald Martinez
14. Italian Troubadours
Hans-Erich Kel1GBPr
General and Technical Considerations
15. Manuscripts
William D. Paden
16. Translation
Roy S. Rosenstein
17. Language
Frede Jensen
18. Rhetoric
Nathaniel B. Smith
19. Topoi
Elisabeth Schulze-Busacker
20. Imagery and Vocabulary
Eliza Miruna Ghil
21. Bibliography
Robert Taylor
Appendix: Editions of the Troubadours and Related Works
F. R P. Akehurst and Robert Taylor
CONTRIBUTORS
INDEX
「Nielsen BookData」 より