Essays on the Diatessaron
著者
書誌事項
Essays on the Diatessaron
(Contributions to biblical exegesis and theology, 11)
Kok Pharos Publishing House, c1994
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
The plurality of Gospel traditions constituted one of the perplexing phenomena of early Christian history. Little wonder that many attempted to explain the differences away. Gospel Harmonies were meant to demonstrate the factual unity of early Jesus traditions. Tatian has to his name one of the earliest harmonies, probably the most successful example: the so-called Diatessaron. Of this work, only indirect traces remain. This fact has made the reconstruction of Tatian's harmony one of the classic challenges for students of early Christian traditions. The present volume is a collection of studies about the quest for a lost book, a book that has been missing for over 1500 years now. It hasn't vanished, however, without a trace. We do not only know for sure that a Christian convert, called Tatian, wrote a Gospel Harmony in Rome around 172, ample indirect evidence of its existence is still available: a library of Gospel Harmonies, commentaries and translations full of probable or possible vestiges of its structure and contents.
We know the title of the book - Diatessaron - and why it was written - to compose one homogeneous Gospel Harmony in the early centuries of Christianity, not only because the idea of one Gospel was attractive to many, but also because it was a quite intelligent composition. One can easily see why the Diatessaron could become a model for other attempts to construct a Gospel Harmony in later days.
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