Paul Strand : essays on his life and work
著者
書誌事項
Paul Strand : essays on his life and work
Aperture, [c1990]
- : pbk
- : hardcover
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [293]-304) and index
内容説明・目次
内容説明
"Paul Strand is universally acclaimed as a master. His pictures rank highly among the most often reproduced masterworks of photography and have an honored place within the canon of modern art as such. People viewing his work for the first or the hundredth time find themselves captivated within a visual domain of extraordinary immediacy and freshness, not just in textures, shapes, and forms but in subtleties which make for resonating coherences within and among images."--Alan Trachtenberg, author of" Reading American Photographs: Images as History, Mathew Brady to Walker Evans," excerpted from the" Introduction"
"In Strand's pictures, we find the work of a quiet but intense man who transmuted the real into the ideal, "the ordinary in man and the transitory in nature converted into eternal symbols.""--Estelle Jussim, author of "Slave to Beauty: The Eccentric Life and Controversial Career of F. Holland Day, Photographer, Publisher, Aesthete," from her essay
A visionary artist of the twentieth century, Paul Strand was much more than a gifted imagemaker. Throughout his long and productive life which ended in 1976, Strand was a leading advocate of photography as a fine art and a political activist deeply committed to social issues. He was an innovative filmmaker and a pioneer in developing photography books that combined images with words.
To celebrate the centenary of Paul Strand's birth, an international team of scholars and writers, many of whom knew or worked with Strand, has produced a volume of essays and meditations on his life and work. Alan Trachtenberg, professor of English and American Studies at Yale University, provides the insightful introduction. Gloria Naylor, Russell Banks, Jim Harrison, Carolyn Forché , Jerome Liebling, Charles Simic, and Reynolds Price respond, each uniquely, to individual photographs. Naomi Rosenblum, Jan-Christopher Horak, Robert Adams, Milton Brown, Richard Benson, Estelle Jussim, and Anne Tucker, among others, offer lively scholarship and comment. Jussim discusses Strand's aesthetic ideals; Horak contributes an evaluation of the motion picture "Manhatta," produced in 1921 by Paul Strand and Charles Sheeler; Benson writes from personal experience about Strand's darkroom practices; and internationally-regarded photographic-historian Naomi Rosenblum offers a fresh account of Strand's early development.
Drawing on letters, journals, interviews, and previously unpublished writings, these thoughtful essays span Strands lifetime, from his remarkable debut in Alfred Stieglitz's periodical, "Camera Work," to his travels in the American Southwest and in Mexico, and his final years in Europe and Africa. These essays are an unsurpassed chronicle of artistic genius and a vital addition to the library of every serious photographer, Strand aficionado, cultural historian, and print collector.
Published in the 100th anniversary of Paul Strand's birth.
Robert Adams, William Alexander, Russell Banks, Richard Benson, Milton W. Brown, Basil Davidson, Edmundo Desnoes, Catherine Duncan, Carolyn Forché , Brewster Ghiselin, Jim Harrison, Jan-Christopher Horak, Estelle Jussim, Jerome Liebling, Gloria Naylor, Reynolds Price, Belinda Rathbone, John Rohrbach, Naomi Rosenblum, Walter Rosenblum, Charles Simic, Alan Trachtenberg, Anne Tucker, Katherine C. Ware, Mike Weaver, Steve Yates
「Nielsen BookData」 より