The architecture of Frank Lloyd Wright

著者

書誌事項

The architecture of Frank Lloyd Wright

Neil Levine

Princeton University Press, c1996

  • cl : alk. paper

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注記

Includes bibliographical references (p. [505]-506) and index

内容説明・目次

巻冊次

ISBN 9780691027456

内容説明

Neil Levine's study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim museum in New York and the Marin County Civic Center in the 1950s, if the first comprehensive and in-depth analysis of the architect's entire career since the opening of the Wright Archives over a decade ago. The most celebrated and prolific of modern architects, Wright built more than four hundred buildings and designed at least twice as many more. The characteristic features of his work--the open plan, dynamic space, fragmented volumes, natural materials, and integral structure--established the basic way that we think about modern architecture. For a general audience, this engaging book provides an introduction to Wright's remarkable accomplishments, as seen against the background of his eventful and often tragic life. For the architect or the architectural historian, it will be an important source of new insights into the development of Wright's whole body of work. It integrates biographical and historical material in a chronologically ordered framework that makes sense of his enormously varied career, and it provides over four hundred illustrations running parallel to the text. Levine conveys the meanings of the continuities and changes that he sees I Wright's architecture and thought by focusing successive chapters on his most significant buildings, such as the Winslow House, Taliesin, Hollyhock House, Fallingwater, Tailsen west, and the Guggenheim Museum. A new understanding of the representational imagery and narrative structure of Wright's work, along with a much-needed reconsideration of its historical and contextual underpinnings, gives this study a unique place in the writings on Wright. In contrast to the emphasis a previous generation of critics and historians placed on Wright's earlier buildings, this book offers a broader perspective that sees Wright's later work as the culmination of his earlier efforts and the basis for a new understanding of the centrality of his career to the evolution of modern architecture as a whole.

目次

Preface and AcknowledgmentsIntroductionCh. IBeginnings of the Prairie House1Ch. IIAbstraction and Analysis in the Architecture of the Oak Park Years23Ch. IIIVoluntary Exile in Fiesole59Ch. IVThe Story of Taliesin75Ch. VBuilding against Nature on the Pacific Rim113Ch. VIFrom Los Angeles to Lake Tahoe and Death Valley149Ch. VIIWriting An Autobiography, Reading the Arizona Desert191Ch. VIIIThe Temporal Dimension of Fallingwater217Ch. IXThe Traces of Prehistory at Taliesin West255Ch. XThe Guggenheim Museum's Logic of Inversion299Ch. XISigns of Identity in an Increasingly One-Dimensional World365Conclusion: Wright and His/story419Notes435Bibliographical Note505List of Illustrations507Index515
巻冊次

cl : alk. paper ISBN 9780691033716

内容説明

This study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim Museum in New York and the Marin County Civic Centre in the 1950s, is an analysis of the architect's entire career since the opening of the Wright Archives over a decade ago. Wright built more than 400 buildings and designed at least twice as many more. The characteristic features of his work - the open plan, dynamic space, fragmented volumes, natural materials, and integral structure-established the basic way that we think about modern architecture. For a general audience, this book provides an introduction to Wright's remarkable accomplishments, as seen against the background of his eventful and often tragic life. For the architect or the architectural historian, it should be a source of new insights into the development of Wright's whole body of work. It integrates biographical and historical material in a chronologically ordered framework that makes sense of his enormously varied career, and it provides over four hundred illustrations running parallel to the text. Levine conveys the meanings of the continuities and changes that he sees in Wright's architecture and thought by focusing successive chapters on his most significant buildings, such as the Winslow House, Taliesin, Hollyhock House, Fallingwater, Taliesin West, and the Guggenheim Museum. A new understanding of the representational imagery and narrative structure of Wright's work, along with a reconsideration of its historical and contextual underpinnings, gives this study a place in the writings on Wright. In contrast to the emphasis a previous generation of critics and historians placed on Wright's earlier buildings, this book offers a broader perspective that sees Wright's later work as the culmination of his earlier efforts and the basis for a new understanding of the centrality of his career to the evolution of modem architecture as a whole.

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