Understanding Rainer Werner Fassbinder : film as private and public art
著者
書誌事項
Understanding Rainer Werner Fassbinder : film as private and public art
（Understanding modern European and Latin American literature）
University of South Carolina Press, c1996
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注記
Includes bibliographical references (p. 306-321) and index
収録内容
- Fassbinder and his Germany
- Starting out...mostly in the theater
- Film apprenticeship as marathon race
- Reconsidering the holy whore : reflection, reflexivity, and Sirkean melodrama
- Outsiders and underdogs : male melodramas
- "Women's pictures"
- Art out of crisis : the emergence of "late" Fassbinder
- Rewriting Nabokov : the Stoppard/Fassbinder despair
- The "women's picture" as history
- Desire and history : Berlin Alexanderplatz
- New directions (perhaps) and conclusions
内容説明・目次
内容説明
Understanding Rainer Werner Fassbinder introduces scholars and students to the controversial and prolific but brief career of a filmmaker hailed as one of the New German Cinema's most talented exponents. Combining a chronological survey with a thematic exploration, Wallace Steadman Watson reviews the entirety of Fassbinder's artistic output, focusing specifically on fifteen of the filmmaker's thirty-eight feature-length works. Watson's interpretations of these films, all of which he studied in Germany, scrutinise the financial constraints, material conditions, and script development involved in their production.
Watson draws on a wide assortment of Fassbinder interviews-many of which are not available in English-and on theoretical and critical approaches employed in the Frankfort School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life.
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