Van Gogh 100

著者
    • Masheck, Joseph
    • Hofstra University
書誌事項

Van Gogh 100

edited by Joseph D. Masheck ; prepared under the auspices of Hofstra University

(Contributions to the study of art and architecture, no. 4)

Greenwood Press, 1996

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注記

Papers from a conference held at Hofstra University

Includes bibliographical references and index

内容説明・目次

内容説明

This volume commemorates the 100th anniversary of Vincent van Gogh's death. Major van Gogh scholars present essays that reexamine the painter's place in the art world of his time, the phenomenal growth in his reputation, and his influence on later art movements and individual artists. At the time of his death and for some years after, there was a question as to whether van Gogh's approach would gain recognition. Today, he is seen as one of the most popular and recognized of the world's artists, and his impact on 20th-century art is unquestioned. How and why this occurred is a major theme throughout this essay collection. Among the topics examined are iconography; van Gogh's poetry as well as the literature that influenced him and that he, in turn, influenced; psychological and religious aspects of van Gogh's painting and self-imaging; and how van Gogh has been interpreted. A section on his legacy in art concludes this major reassessment of van Gogh's place in art history. An important collection for art scholars and researchers as well as public library patrons.

目次

Preface Reintroducing Vincent Greeting by Sjraar van Heugten "I Shall Grow in the Tempest": Van Gogh 100 Years Later by Bogomila Welsh-Ovcharov The Sense of Sorrow by A. M. Hammacher Iconography From "Passions" to "Passion": Vision and Verbal Puns in The Night Cafe by Yvonne Korshak The Symbolism of van Gogh's Flowers by Hope B. Werness Van Gogh's "Worship of Sorrow" and Charles Dickens' Religion of Hearth and Home by Kitty McChesney Alhadeff Van Gogh, Thomas Nast, and the Social Role of the Artist by Albert Boime Literature Vincent as Reader: Reading in the Formation of the Artist by Patricia E. Connors Van Gogh and Gerard Manley Hopkins: An Interdisciplinary Exploration by Maude M. J. Jennings Two Poems from The van Gogh Notebook by Peter Cooley Two Poems from Gallery Excavations by Robert H. Waugh Psychology Experience and Knowledge in van Gogh's Imaginative Transactions by Enrico Maria Davoli Self-portrait as Self-image by James Risser The Role of Copying in van Gogh's Oeuvre and Illness by Orlindo Goueira Pereira Van Gogh's Understanding of Theories of Neurosis, Neurasthenia, and Degeneration in the 1880s by Aaron Sheon Religion Vincent of Zundert: Pastoral Background by Reverend J. Frits Wagener Van Gogh's Berceuse and the Sanctity of the Secular by Judy Sund Christianity versus Nature: A Study of van Gogh's Thematics by Tsukasa Kodera Van Gogh's Spiritual Quest: Toward a Theology of Vulnerability by Clifford Walter Edwards Interpretation Van Gogh and His Readers: The Case of Antonin Artaud by Johann Pillai Van Gogh, Schapiro, Heidegger, and Derrida by Jeremy Gilbert-Rolfe Van Gogh, Heidegger, Schapiro, Derrida: The Truth in Criticism (Notes on Restless Life) by David Joel Shapiro In the Artist's Boots by Joseph D. Masheck The Legacy in Art Van Gogh at Auvers: The Majesty of Nature by Mark Wentworth Roskill Van Gogh's Faktura and Modern Russian Art by Margaret B. Betz "Over-All Space": Comparing van Gogh, Mondrian, and Pollock by Erik Saxon The Inspiring Presence of the Work and Personality of van Gogh Among Painters of the Twentieth Century by Dore Ashton

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