Amedeo Modigliani : portraits and nudes
著者
書誌事項
Amedeo Modigliani : portraits and nudes
(Pegasus library)
Prestel, c1996
- English ed
- German ed
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 116) and index
"Pegasus library" -- Jacket
内容説明・目次
内容説明
Amedeo Modigliani led the dissipated, extravagant life of a bohemian in Paris at the beginning of the 20th century. Yet this apparently glittering and restless life, which came to a sudden end when he was 35, is not reflected in his work at all. Modigliani's paintings and sulptures are marked with a cool detachment, with often archaically austere depictions of the human figure and acutely characterized portraits. The avant-garde movements of the time, such as Cubism, Fauvism and Futurism, had little effect on his art. It is not theory, but the human being that lies at the centre of Modigliani's work. He drew inspiration from artists of the Renaissance and the Rococo periods for his distanced, dignified portraits. His preferred models were friends and his companion Jeanne Hebuterne, but he also depicted simple country people. This book provides an interpretation of Modigliani's career. It charts the artist's development from the penetrationg psychological studies of his early portaits, through images of a more decorative nature - the graceful figures with swan-like necks and almond-shaped eyes - to his mature depiction of nudes, which remain valid icons of femininity.
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