Literary history and the challenge of philology : the legacy of Erich Auerbach

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Literary history and the challenge of philology : the legacy of Erich Auerbach

edited by Seth Lerer

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Stanford University Press, 1996

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注記

Includes bibliographical references (p. [243]-298) and index

内容説明・目次

内容説明

A century after his birth and fifty years after the composition of Mimesis, Auerbach still stands as a touchstone for contemporary academic debates on the place of historical criticism in the construction of literary history, on the relations between intellectual activity and political action, and on the function of the critic in recording-or effecting-social change. More than an occasion to review past accomplishments or revel in the nostalgias of prewar Marburg or postwar New Haven, the papers offered in this volume seek to reassess Auerbach's work and his example for the modern academic. Their genesis lay in a conference at Stanford University held in October 1992, and while they do not represent a consensus of opinion or a uniformity of school or approach, they all share the recognition of the timeliness of such a reassessment.

目次

  • Contributors
  • Introduction Seth Lerer
  • Part I. The Everday and History: 1. 'Pathos of the earthly progress': Erich Auerbach's everydays Hans Urich Gumbrecht
  • 2. Auerbach's 'hidden' (?) theory of history Claus Uhlig
  • 3. Auerbach and literary history Luiz Costa-Lima
  • Part II. Philology, Language and History: 4. Philology in Auerbach's drama of (literary) history Stephen G. Nichols
  • 5. Philology and collaboration: the case of Adam and Eve Seth Lerer
  • 6. Medieval vernaculars and the myth of monoglossia: a conspiracy of linguistics and philology Suzanne Fleischman
  • Part III. Figural History, Historical Figures: 7. Figura, allegory, and the question of history Jesse M. Gellrich
  • 8. Auerbach's literary history: figural causation and modernist historicism Hayden White
  • Part IV. Turning Points in Literary History: 9. Literary realism in the later ancient period Brian Stock
  • 10. The ideology of periodization: Mimesis 10 and the late medieval aesthetic Kevin Brownlee
  • Part V. Legacies: 11. Auerbach's performance and the American acade my, or how New Haven stole the idea of mimesis Carl Landauer
  • 12. On the reception of mimesis Herbert Lindenberger
  • 13. Erich Auerbach and the 'inner dream' of transcendence Geoffrey Green
  • 14. Literature as language: Auerbach, Spitzer, Jakobson Thomas R. Hart
  • Notes
  • Index.

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