More conversations with Eudora Welty
著者
書誌事項
More conversations with Eudora Welty
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c1996
- : cloth
- : pbk
大学図書館所蔵 全23件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
This book of conversations with one of America's most revered writers extends the firsthand account of Eudora Welty's life and work from the early 1980s to the present and supplements Conversations with Eudora Welty, which novelist Anne Tyler said brought her "pure pleasure."
These interviews include many that refer to Welty's memoir, One Writer's Beginnings, and greatly amplify the picture of her personal life that emerged from the earlier collection of interviews. She reminisces here about her parents, her childhood and schooldays in Jackson, Mississippi, and her sojourns in New York City. She speaks of gardening, travel, friends, and writers--both of contemporaries she had known as friends or associates and those she has never met, except through their books. One whose presence and influence she never fails to mention in conversations about admired predecessors is Anton Chekov. Others whose names recur frequently in these interviews are her friends Katherine Anne Porter and Elizabeth Bowen.
Here too Welty answers questions about her photographic work and about the photographic images she recorded in the 1930s. With her interviewers, she also assesses changes she has witnessed during her lifetime--changes in the southern landscape, southern society, southern writing. She talks about her own experiences with aging, the inevitable loss of friends, and the waning of physical vitality. She replies to queries about specific characters and settings in her work--questions about origins, sources, and real-life counterparts. She reveals some of her compositional designs in the writing of Losing Battles and The Optimist's Daughter and discusses the significance of the Delta region as the setting for The Golden Apples. Her lifetime interest in local details--names, customs, and tales, such as those that show up in Mississippi country newspapers and farm journals--has long been evident in her stories, and her she recalls them with evident pleasure.
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