New British poetries : the scope of the possible

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New British poetries : the scope of the possible

Robert Hampson, Peter Barry, editors

Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, 1995

  • : pbk

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注記

Bibliography: p. 232-233

Includes bibliographical references and index

内容説明・目次

内容説明

Shakespeare's history plays have always been pivotal to our understanding of his works. This collection renews attention to these crucial plays by exploring official and unofficial versions of the past, histories and counter-histories in the plays of Shakespeare and his contemporaries. By exploring the diversity of Shakespeare's engagement with history in all its forms, these contributors open up a range of new interpretive possibilities for understanding the way history 'plays' with the past. The book is divided into three sections: Memory and mourning, Counter-histories, Identity and performance. In each section, leading theorists, historicists and performance critics offer fresh perspectives on the key issues that are transforming our understanding of Shakespeare. These include: gender and violence, the mapping of Britain, cultural memory and religion. This collection will appeal to all critically engaged readers of Shakespeare. In particular it will command wide-ranging interest from undergraduates, postgraduates, academic researchers and students of early modern theatre, history and culture. -- .

目次

  • Introduction - The scope of the possible. Part 1 Mapping the field: The British poetry revival, 1960-75, Eric Motram
  • have you been here long? - black poetry in Britain, Fred D'Aguiar
  • mapping the UK little magazine field, Roger Ellis. Part 2 Poetics - politics - procedures: Who am I to speak? - the politics of subjectivity in recent British poetry, Peter Middleton
  • producing the unknown - language and ideology in contemporary poetry, Robert Hampson
  • the paper city - women, writing and experience, Helen Kidd. Part 3 Case studies: the heart of saying - the poetry of Gael Turnbull, David Miller
  • Allen Fisher and "content-specific" poetry, Peter Barry
  • Lee Harwood and the poetics of the open work, Robert Sheppard.

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