British writers and the media, 1930-45
著者
書誌事項
British writers and the media, 1930-45
Macmillan , St. Martin's Press, 1996
- : Macmillan : hb
- : Macmillan : pbk
- : St. Martin
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: Macmillan : hb ISBN 9780333638958
内容説明
Examining writers from Auden to Priestley, this study argues that the 1930s, remembered usually for uncomplicated political engagement, can rather be seen as initiating the key elements of post-modernism, developing the individuals's sense of "elsewhere" through new technology of representation and propaganda. The book analyzes the relationship between the leftist writers of the decade and the mass-media, showing how newspapers, radio and film were treated in their writing, and how they reshaped its forms, assumptions and imagery.
目次
Preface - Acknowledgements - Introduction: Obituaries of History and the Thirties Sublime - A Twisted Skein: The Media Background - Refractions: The Media as Subject-Matter - Responses: The Mass-Media as Formal Influence - Involvements: Writing for the Mass-Media - Notes - Index
- 巻冊次
-
: Macmillan : pbk ISBN 9780333638965
内容説明
Richly informative about a host of writers from Auden to Priestley, and theoretically informed, this wide-ranging new study demonstrates that the 1930s, remembered usually for uncomplicated political engagement, can rather be seen as initiating the key elements of postmodernism, developing the individual's sense of `elsewhere' through new technology of representation and propaganda. Keith Williams analyses the relationship between the leftist writers of the decade and the mass-media, showing how newspapers, radio and film were treated in their writing and how they radically reshaped its forms, assumptions and imagery.
目次
Preface - Acknowledgements - Introduction: Obituaries of History and the Thirties Sublime - A Twisted Skein: The Media Background - Refractions: The Media as Subject-Matter - Responses: The Mass-Media as Formal Influence - Involvements: Writing for the Mass-Media - Notes - Index
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