Concert music, rock, and jazz since 1945 : essays and analytical studies
著者
書誌事項
Concert music, rock, and jazz since 1945 : essays and analytical studies
（Eastman studies in music）
University of Rochester Press, 1995
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The essays in this volume present current research into a wide range of Western music, disregarding barriers between different kinds of music, and drawing on modern musical-analytical techniques to draw together the varied subjects they explore. Topics discussed fall into three sections: "Compositional Poietics," poietics being the pre-compositional activities of composer theorists; "Structuralist Approaches," extending musical-theoretical research to newrepertoires; and "Insights from Other Disciplines," concerned to expand music analysis in ways hitherto employed in other disciplines.
Contributors: Jonathan D. Kramer, Robert Cogan, Robert D. Morris, Andrew Mead, Cynthia Folio, Elizabeth West Marvin, Walter Everett, Jane Piper Clendenning, Jonathan W. Bernard, Ellie M. Hisama, Dave Headlam, Richard Hermann, John Covach, Nicholas J. Cook.
目次
Beyond Unity: Toward an Understanding of Musical Postmodernism Jonathan D. Kramer
The Art-Science of Music after Two Millennia Robert Cogan
Aspects of Confluence between Western Art Music and Ethnomusicoloy Robert D. Morris
Twelve-Tone Composition and the Music of Elliott Carter Andrew Mead
An Analysis of Polyrhythm in Selected Improvised Jazz Solos Cynthia Folio
A Generalization of Contour Theory to Diverse Musical Spaces: Analytical Applications to the Music of Dallapiccola and Stockhausen- Elizabeth West MarvinStockhausen- Elizabeth West Marvin
The Beatles as Composers: The Genesis of Abbey Road, Side Two Walter Everett
Structural Factors in the Microcanonic Compositions of Gyorgy Ligeti Jane Piper GlendinningJane Piper Glendinning
Theory, Analysis, and the "Problem" of Minimal Music Jonathan W. Bernard
The Question of Climax in Ruth Crawford's String Quartet, Mvt. 3 Ellie M. Hisama
Does the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin Dave HeadlamDave Headlam
Theories of Chordal Shape, Aspects ofLinguistics, and their Roles in Structuring Berio's Sequenza IV for Piano Richard HermannRichard Hermann
Stylistic Competencies, Musical Satire, and "This is Spinal Tap" John Covach
Music Theory and the Postmodern Muse: An Afterword Nicholas Cook
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