Icons, texts, iconotexts : essays on ekphrasis and intermediality
Author(s)
Bibliographic Information
Icons, texts, iconotexts : essays on ekphrasis and intermediality
（European cultures : studies in literature and the arts, v. 6）
W. de Gruyter, 1996
Available at / 13 libraries
-
No Libraries matched.
- Remove all filters.
Note
English and French
Includes bibliographical references (p. [347]-382) and index
Description and Table of Contents
Table of Contents
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality - the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolatrie et iconoclastie de l'ecriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard's "Coresus and Callirhoe" -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l'image chez Theophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: "The Escapades of Death" -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scene de la table de travail: poetologie et epistemologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen's Novels -- Appropriating Botticelli: English Approaches 1860-1890 -- Entering the Museum of Words: Browning's "My Last Duchess" and Twentieth-Century Ekphrasis -- Oscar Wilde's "Impression du matin" - an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray's Caricature -- The Battle of the Signs: Robert Crumb's Visual Reading of James Boswell's "London Journal" -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420
by "Nielsen BookData"
