Images of the self as female : the achievement of women artists in re-envisioning feminine identity
Author(s)
Bibliographic Information
Images of the self as female : the achievement of women artists in re-envisioning feminine identity
(Women's studies, v. 4)
Edwin Mellen Press, c1992
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Description and Table of Contents
Description
This collection of essays on the work of female artists in relation to female identity covers such topics as: the practice of art in the life of Clara Schumann; sign and self in Mary Cassatt's Little Girl in a Blue Armchair; and the black woman artist as theologian.
Table of Contents
- `Restored to Their Rightful Owners': Correcting Distortions in Women's Literary and Art History" by Lauren P. De La Vars
- "`It Is the Very Air I Breathe': The Practice of Art in the Life of Clara Schumann" by Gordon J. De La Vars
- "Woman as Poet in Elizabeth Barrett Browning's Aurora Leigh" by Linda M. Lewis
- "A Whirlwind on the Hard Red Clay: The Black Woman Artist as Theologian" by Martha J. Reineke
- "Willa Cather's Visions and Revisions of Female Lives" by Susan Rosowski
- "The Eternal Eve and the Newly Born Woman: Marianne Moore's `Marriage'" by Bruce Henderson
- "Sign and Self in Mary Cassatt's Little Girl in a Blue Armchair" by Rosemary Welsh
- and "Alice Neel: The Cinderella of Spanish Harlem" by Marilynn Lincoln Board.
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