Shakespeare's deliberate art
著者
書誌事項
Shakespeare's deliberate art
University Press of America, 1996
- : cloth
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780761803003
内容説明
This book is concerned with those patterns, strategies, and systems of organization that determine the shape of a Shakespeare play and are the expression of the deliberate nature of Shakepeare's art. Considering his plays as human documents, the book makes clear how and why Shakespeare composed as he did and demonstrates why Shakespeare is the consummate literary artist.
目次
- Shakespeare's Deliberate Art - "The Tempest"
- "King John" - the Plight of the Bastard
- "Richard II" - the Garden Scene as a Clarification of the End of the Play
- "Richard II" and "Henry IV" - an Englarged Context
- "All's Well That Ends Well" - the Significance of the First Scene
- Readjustment in "Much Ado About Nothing"
- Despair and Shakespearean Affirmation - "Twelfth Night"
- Recapitulative Lists - Roles and Offices
- The Redemption of Emilia
- The Plight of Coriolanus
- The First Scene of Act 2 - the Beginning of an Extended Episode
- "Hamlet", "Macbeth" and "King Lear" as a Trilogy
- Shakespeare's Four Great Tragedies - "Tis Time to Look About"
- Two-Part Design and the Impasse in "King Lear"
- Perception and Perspective in "King Lear"
- Affirmation in "Troilus and Cressida"
- Thematic Point of View in "Troilus and Cressida"
- Conclusion - Plight-Directed Action.
- 巻冊次
-
: pbk ISBN 9780761803010
内容説明
This book is concerned with those patterns, strategies, and systems of organization that determine the shape of a Shakespeare play and are the expression of the deliberate nature of Shakepeare's art. Considering his plays as human documents, the book makes clear how and why Shakespeare composed as he did and demonstrates why Shakespeare is the consummate literary artist. Contents: Shakespeare's Deliberate Art: The Tempest; King John: The Plight of the Bastard; Richard II: The Garden Scene as a Clarification of the End of the Play; Richard II and I Henry IV: An Enlarged Context; ^IAll's Well That Ends Well: The Significance of the First Scene; Readjustment in Much Ado About Nothing; Despair and Shakespearean Affirmation: Twelfth Night; Recapitulative Lists; Roles and Offices; The Redemption of Emilia; The Plight of Coriolanus; The First Scene of Act 2: The Beginning of an Extended Episode; Hamlet, Macbeth, and King Lear as a Trilogy; Shakespeare's Four Great Tragedies: ''Tis Time to Look About'; Two-Part Design and the Impasse in King Lear; Affirmation in Troilus and Cressida; Thematic Point of View in Troilus and Cressida; Conclusion: Plight-Directed Action; Index.
目次
- Shakespeare's Deliberate Art - "The Tempest"
- "King John" - the Plight of the Bastard
- "Richard II" - the Garden Scene as a Clarification of the End of the Play
- "Richard II" and "Henry IV" - an Englarged Context
- "All's Well That Ends Well" - the Significance of the First Scene
- Readjustment in "Much Ado About Nothing"
- Despair and Shakespearean Affirmation - "Twelfth Night"
- Recapitulative Lists - Roles and Offices
- The Redemption of Emilia
- The Plight of Coriolanus
- The First Scene of Act 2 - the Beginning of an Extended Episode
- "Hamlet", "Macbeth" and "King Lear" as a Trilogy
- Shakespeare's Four Great Tragedies - "Tis Time to Look About"
- Two-Part Design and the Impasse in "King Lear"
- Perception and Perspective in "King Lear"
- Affirmation in "Troilus and Cressida"
- Thematic Point of View in "Troilus and Cressida"
- Conclusion - Plight-Directed Action.
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