Sexual politics : Judy Chicago's Dinner party in feminist art history
著者
書誌事項
Sexual politics : Judy Chicago's Dinner party in feminist art history
UCLA at the Armand Hammer Museum of Art and Cultural Center in association with University of California Press, Berkeley, c1996
- : cloth
- : pbk
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Published with the assistance of the Getty Grant Program."
"Published on the occasion of an exhibition of the same title organized by UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, California, April 24-August 18, 1996" -- on T.p. verso
Includes index
内容説明・目次
内容説明
In April 1996 Judy Chicago's controversial 1979 work, "The Dinner Party", will make its first appearance in Los Angeles. The reemergence of this piece, which has been in storage since 1988, signals a renewed interest in a cultural monument that has vexed historians and critics of contemporary art for nearly twenty years. A monumental table in the form of an equilateral triangle, "The Dinner Party" honours 1,038 women in Western history, 39 of whom are represented at the table itself by elaborate needlepoint runners and ceramic plates decorated with centralised, often vulgar motifs. When the piece was shown at the San Francisco Museum of Modern Art in 1979, it drew the largest audience in that museum's history. It also engendered vehement negative responses, leading several other venues to cancel the exhibition. "Sexual Politics" places "The Dinner Party" alongside other important feminist works, from Louise Bourgeois's "Femme Maison" series of the mid-1940s to Judie Bamber's paintings of female genitalia (1994). The essays in this collection, accompanied by over 150 illustrations, provide a major re-evaluation of the feminist art movement.
Segments from original interviews with feminists such as Lucy Lippard, Suzanne Lacy, Arlene Raven, and Miriam Schapiro are included, along with a timeline that traces the feminist art movement in relation to other cultural and historical events. For years "The Dinner Party" has revealed deep divisions both inside and outside the feminist movement. "Sexual Politics" raises fundamental questions about those divisions, and about what is at stake in the politics of identity in the 1990s.
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