Gender, genre, and the Romantic poets : an introduction

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書誌事項

Gender, genre, and the Romantic poets : an introduction

Philip Cox

Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, 1996

  • : pbk

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注記

Includes bibliographical references (p. [157]-165) and index

内容説明・目次

巻冊次

ISBN 9780719042638

内容説明

This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study.

目次

Samuel Taylor Coleridge and Anna Laetitia Barbauld: gender, genre and pastoral. William Wordsworth: using genre to approach "Tintern Abbey". William Wordsworth: constructions of the "self" in "The Prelude". John Keats: effeminacy, drama and the performance of gender. Lord Byron: "Manfred" and the closet drama. Percy Bysshe Shelley: "Prometheus Unbound" and the celebration of difference.
巻冊次

: pbk ISBN 9780719042645

内容説明

Presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout the book offers sustained attention to specific textual examples, providing an introduction to this complex area of study.

目次

Samuel Taylor Coleridge and Anna Laetitia Barbauld: gender, genre and pastoral. William Wordsworth: using genre to approach "Tintern Abbey". William Wordsworth: constructions of the "self" in "The Prelude". John Keats: effeminacy, drama and the performance of gender. Lord Byron: "Manfred" and the closet drama. Percy Bysshe Shelley: "Prometheus Unbound" and the celebration of difference.

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