Early Christian and Byzantine architecture
著者
書誌事項
Early Christian and Byzantine architecture
（Yale University Press Pelican history of art）
Yale University Press, 1986
4th ed. / [rev. by Richard Krautheimer and Slobodan Ćurčić]
- : [pbk]
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注記
Revisers from cover
Originally published: Harmondsworth : Penguin Books , 1965
Includes bibliographical notes (p. [455]-515), selected bibliography (p. [523]-525), and index
内容説明・目次
内容説明
The appreciation of early Christian and Byzantine Art as a sublime expression of religious thought and feeling is a comparatively modern phenomenon. Byzantine art is both static and dynamic: static in the sense that once an image was established it was felt that no improvement was necessary; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media: mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This is an account by a medieval art-historian.
目次
- Early Christian art - Rome and the legacy of the caesars
- early Christian art - the eastern provinces of the empire and the foundation of Constantinople
- early Christian art - the synthesis of the secular and the religious image
- the age of Justinian
- the forsaken west and the emergence of the supreme pontiff
- the troubled east
- the triumph of orthodoxy
- the scholar of orthodoxy
- the scholar emperor and the triumph of the imperial ideal
- metropolitan authority
- metropolitan diffusion and decline.
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