Modern epic : the world-system from Goethe to García Márquez
Author(s)
Bibliographic Information
Modern epic : the world-system from Goethe to García Márquez
Verso, 1996
- : pbk
- Other Title
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Opere mondo : saggio sulla forma epica dal Faust a Cent'anni di solitudine
Available at 15 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Translation of: Opere Mondo : saggio sulla forma epica dal Faust a Cent'anni di solitudine, c1994
Description and Table of Contents
- Volume
-
: pbk ISBN 9781859840696
Description
"Take Faust, what is it? A 'tragedy', as its author states? A great philosophical tale? A collection of lyrical insights? Who can say. How about Moby-Dick? Encyclopedia, novel or romance? Or even a 'singular medley,' as one anonymous 1851 review put it? ... 'It is no longer a novel,' T.S. Eliot said of Ulysses. But if not novels, then what are they?"
Literary history has long been puzzled by how to classify and treat these aesthetic monuments. In this highly original and interdisciplinary work, Franco Moretti builds a theory of the modern epic: a sort of super-genre that has provided many of the "sacred texts" of Western literary culture. He provides a taxonomy capable of accommodating Faust, Moby-Dick, The Nibelung's Ring, Ulysses, The Cantos, The Waste Land, The Man Without Qualities and One Hundred Years of Solitude.
For Moretti the significance of the modern epic reaches well beyond the aesthetic sphere: it is the form that represents the European domination of the planet, and establishes a solid consent around it. Political ambition and formal inventiveness are here continuously entwined, as the representation of the world system stimulates the technical breakthroughs of polyphony, reverie and leitmotif; of the stream of consciousness, collage and complexity.
Opening with an analysis of Goethe's Faust and the different historical roles of epic and the novel, Moretti moves through a discussion of Wagner's Ring and on to a sociology of modernist technique. He ends with a fascinating interpretation of "magic realism" as a compromise formation between a number of modernist devices and the return of narrative interest, and suggests that the west's enthusiastic reception of these texts (and One Hundred Years of Solitude in particular) constitutes a ritual self-absolution for centuries of colonialism.
- Volume
-
ISBN 9781859849347
Description
"Take Faust, what is it? A 'tragedy,' as its author states? A great philosophical tale? A collection of lyrical insights? Who can say. How about Moby-Dick? Encyclopedia, novel or romance? Or even a 'singular medley,' as one anonymous 1851 review put it? . "It is no longer a novel," T.S. Eliot said of Ulysses. But if not novels, then what are they?"
Literary history has long been puzzled by how to classify and treat these aesthetic monuments. In this highly original and interdisciplinary work, Franco Moretti builds a theory of the modern epic-a sort of super-genre that has provided many of the "sacred texts" of Western literary culture. He provides a taxonomy capable of accommodating Faust, Moby-Dick, The Nibelung's Ring, Ulysses, The Cantos, The Waste Land, The Man Without Qualities and One Hundred Years of Solitude.
For Moretti the significance of the modern epic reaches well beyond the aesthetic sphere: the modern epic is the form that represents the European domination of the planet and establishes a solid consent around it. Political ambition and formal inventiveness are here continuously entwined, as the representation of the world-system stimulates the technical breakthroughs of polyphony, reverie and Leitmotiv; of the stream of consciousness, collage and complexity.
Opening with an analysis of Goethe's Faust and the different historical roles of epic and the novel, Moretti moves through a discussion of Wagner's Ring and on to a sociology of modernist technique. He ends with a fascinating interpretation of magical realism as a compromise formation between a number of modernist devices and the return of narrative interest, and suggests that the West's enthusiastic reception of these texts (and of One Hundred Years of Solitude in particular) constitutes a ritual self-absolution for centuries of colonialism.
by "Nielsen BookData"