History of Italian art
著者
書誌事項
History of Italian art
Polity Press , Blackwell [U.S. distributor], 1996, c1994
- : set, pbk
- v. 1 : pbk.
- v. 2 : pbk.
- タイトル別名
-
Storia dell'arte italiana
大学図書館所蔵 件 / 全7件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes indexes
Hardcoverは別書誌(BA23881191)
内容説明・目次
- 巻冊次
-
v. 1 : pbk. ISBN 9780745617541
内容説明
Published in two volumes, History of Italian Art provides a major history of Italian Art from antiquity to the present day. A distinguished group of cultural historians provide a comprehensive account of Italian "art" in the wider sense, examining not only painting and sculpture, but also photography and iconography, restorations and fakes, landscapes and writing.
目次
List of Illustration. Publisher's Note.
Preface by Peter Burke.
1. The Italian Artist and his Roles: Peter Burke.
2. Centre and Periphery: Enrico Castelnuovo and Carlo Ginzburg.
3. Italian Art and the Art of Antiquity: Nicole Dacos.
4. The Dispersal and Conservation of Art-historical Property: Francis Haskell.
5. The Public Reception of Art: Anna Maria Mura.
Index.
- 巻冊次
-
v. 2 : pbk. ISBN 9780745617558
内容説明
Published in two volumes, History of Italian Art provides a major history of Italian Art from antiquity to the present day. A distinguished group of cultural historians provide a comprehensive account of Italian "art" in the wider sense, examining not only painting and sculpture, but also photography and iconography, restorations and fakes, landscapes and writing.
目次
1. The Periodization of the History of Italian Art: Giovanni Previtali. 2. The Iconography of Italian Art 1100-1500 - an Approach: Salvatore Settis.
3. The History of Art and the Forms of Religious Life: Bruno Toscano.
4. Renaissance and Pseudo-Renaissance: Federico Zeri.
5. Towards the Modern Manner: from Mantegna to Raphael: Giovanni Romano.
Index.
- 巻冊次
-
: set, pbk ISBN 9780745618197
内容説明
Published in two volumes, this major work provides a history of Italian art from antiquity to the present day.
A distinguished group of cultural historians provides a comprehensive account of Italian "art" in the wider sense: as well as painting and sculpture, they examine photography and iconography, restorations and fakes, landscapes and writing. They focus not only on individual artists and epochs, but on the conditions under which Italian art was and is created: its principles, intentions and effects.
Together the books represent a radical break with the compendium of facts and works found in conventional books on art history, exploring the mentalities and the institutions, the typography and the geography which have determined the main characteristics of Italian art over a thousand years.
Volume One includes contributions from Peter Burke on the history of the Italian artist from the twelfth to the twentieth century, Enrico Castelnuovo and Carlo Ginzburg on regional art outside the traditional centres, Nicole Dacos on antique art, Francis Haskell on the "dispersal" and conservation of artistic works, and Anna Maria Mura on the public reception of art.
Volume Two includes contributions from Giovanni Previtali on the periodization of Italian art history, Giovanni Romero on art and everyday life in the Renaissance court, Salvadore Settis on iconography in the Middle Ages; Bruno Toscano on art and the church in the seventeenth century, and Federico Zeri on the concept of the Renaissance and the conflict between historical and art-historical periods.
目次
Volume I:. List of Illustrations.
Publisher's Note.
Preface by Peter Burke.
1. The Italian Artist and his Roles: Peter Burke.
2. Centre and Periphery: Enrico Castelnuovo and Carlo Ginzburg.
3. Italian Art and the Art of Antiquity: Nicole Dacos.
4. The Dispersal and Conservation of Art-historical Property: Francis Haskell.
5. The Public Reception of Art: Anna Maria Mura.
Index.
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