Theatre as action : Soviet Russian avant-garde aesthetics
Author(s)
Bibliographic Information
Theatre as action : Soviet Russian avant-garde aesthetics
(New directions in theatre)
Macmillan Press, 1993
- Other Title
-
Teatern som handling
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Extra t.p. with thesis statement inserted
Thesis--Stockholm
Summary in English
Includes bibliographical references (p. 178-187) and index
Description and Table of Contents
Description
After the 1917 revolution, Russian and Soviet avant-garde theatre attempted to create a new art for post-revolutionary society. This reconsideration of the Russian avant-garde theatre investigates the burgeoning new drama/theatre forms of the period. Kleberg considers assumptions made about the audience and by the audience, and seeks to determine whether discrepancies existed between the two. Offering fresh insights into the modernist period of Russian theatre, Theatre as Action provides a new typology of the stage/audience relationship in modernist Russian theatre. Constructivism of the 1920's is discussed on light of the plays of Meyerhold, Eisenstein, and Treytykov. The relation of the Soviet Russian avant-garde to the aesthetics of Bertold Brecht is also examined. This original, comprehensive work is a major contribution to our understanding of the confrontation of the ideal and the reality of Soviet 1920's, revealing the Wagnerian and Symbolist utopia beneath, and its crisis. It will be of particular interest to students of literature and drama.
Table of Contents
- Avant-garde and the project of cultural revolution: iconoclasm and festival
- the project of cultural revolution
- down with fetishes!
- theatre as example
- the semiotics of theatre
- stage and auditorium in the Russian modernist theatre
- theatre constructivism
- the theatre of attractions
- the audience as myth and reality
- the theatre as an arena for discussion
- the provisional abdication of total theatre
- postscript 1991 - the avant-garde and history.
by "Nielsen BookData"