The Rockefeller collection of American art at the Fine Arts Museums of San Francisco
著者
書誌事項
The Rockefeller collection of American art at the Fine Arts Museums of San Francisco
The Museums , H.N. Abrams, 1994
- : cloth
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Published in conjunction with the exhibition at the M.H. De Young Memoral Museum, 25 June-13 November, 1994
Includes bibliographical references and index
入力は遡及データによる
内容説明・目次
内容説明
The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979.
The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; watercolors, drawings, and an early Civil War oil by Winslow Homer; and works by Eastman Johnson, Thomas Anshutz, John Frederick Peto, Grant Wood, Charles Sheeler, and Andrew Wyeth.
Each work is reproduced here in full color. The accompanying texts, comprised of extracts from contemporary accounts by artists, critics, patrons, and sitters, are lively and illuminating guides to understanding each work's history and significance. A detailed history of ownership and public exhibition and a selected bibliography are also provided for each painting. In many cases, this is the first time these important materials have appeared in print.
The fascinating introductory essay examines the context of the Rockefellers' collecting, the directions they considered in forming the collection, their increasing sense of responsibility toward it, and factors they considered in its disposition.
「Nielsen BookData」 より