African material culture
著者
書誌事項
African material culture
(African systems of thought)
Indiana University Press, c1996
- : pbk
大学図書館所蔵 件 / 全15件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780253210371
内容説明
"This volume has much to recommend it-providing fascinating and stimulating insights into many arenas of material culture, many of which still remain only superficially explored in the archaeological literature." -Archaeological Review
". . . a vivid introduction to the topic. . . . A glimpse into the unique and changing identities in an ever-changing world." -Come-All-Ye
Fourteen interdisciplinary essays open new perspectives for understanding African societies and cultures through the contextualized study of objects, treating everything from the production of material objects to the meaning of sticks, masquerades, household tools, clothing, and the television set in the contemporary repertoire of African material culture.
目次
INTRODUCTION: Efficacy and Objects * Kris L. Hardin and Mary Jo Arnoldi
PART I: TECHNOLOGY AND THE PRODUCTION OF FORM
1. Technological Style and the Making of Culture: Three Kono Contexts of Production * Kris L. Hardin
2. Magical Iron Technology in the Cameroon Grassfields * Michael Rowlands and Jean-Pierre Warnier
3. When Nomads Settle: Changing Technologies of Building and Transport and the Production of Architectural Form among the Gabra, the Rendille, and the Somalis * Labelle Prussin
4. Ceramics from the Upemba Depression: A Diachronic Study * Kanimba Misago
5. Objects and People: Relationships and Transformation in the Culture of the Bambala * Kazadi Ntole
PART II: CONSTRUCTING IDENTITIES: PRESENTING SELF AND SOCIETY WITH OBJECTS
6. Sticks, Self, and Society in Booran Oromo: A Symbolic Interpretation * Aneesa Kassam and Gemetchu Megerssa
7. Material Narratives and the Negotiation of Identities through Objects in Malian Theatre * Mary Jo Arnoldi
8. The Consumption of an African Modernity * Michael Rowlands
9. Household Objects and the Philosophy of Igbo Social Space * Chike Aniakor
10. Hoes and Clothes in a Luo Household: Changing Consumption in a Colonial Economy, 1906-1936 * Margaret Jean Hay
PART III: LIFE HISTORIES: CHANGING INTERPRETATIONS OF OBJECTS AND MUSEUMS
11. The Passive Object and the Tribal Paradigm: Colonial Museography in French West Africa * Philip L. Ravenhill
12. Art, Politics, and the Transformation of Meaning: Bamum Art in the Twentieth Century * Christraud M. Geary
13. Mami Wata Shrines: Exotica and the Construction of Self * Henry John Drewal
14. Zairian Popular Painting as Commodity and as Communication * Bogumil Jewsiewicki
Contents
INTRODUCTION: Efficacy and Objects * Kris L. Hardin and Mary Jo Arnoldi
PART I: TECHNOLOGY AND THE PRODUCTION OF FORM
1. Technological Style and the Making of Culture: Three Kono Contexts of Production * Kris L. Hardin
2. Magical Iron Technology in the Cameroon Grassfields * Michael Rowlands and Jean-Pierre Warnier
3. When Nomads Settle: Changing Technologies of Building and Transport and the Production of Architectural Form among the Gabra, the Rendille, and the Somalis * Labelle Prussin
4. Ceramics from the Upemba Depression: A Diachronic Study * Kanimba Misago
5. Objects and People: Relationships and Transformation in the Culture of the Bambala * Kazadi Ntole
PART II: CONSTRUCTING IDENTITIES: PRESENTING SELF AND SOCIETY WITH OBJECTS
6. Sticks, Self, and Society in Booran Oromo: A Symbolic Interpretation * Aneesa Kassam and Gemetchu Megerssa
7. Material Narratives and the Negotiation of Identities through Objects in Malian Theatre * Mary Jo Arnoldi
8. The Consumption of an African Modernity * Michael Rowlands
9. Household Objects and the Philosophy of Igbo Social Space * Chike Aniakor
10. Hoes and Clothes in a Luo Household: Changing Consumption in a Colonial Economy, 1906-1936 * Margaret Jean Hay
PART III: LIFE HISTORIES: CHANGING INTERPRETATIONS OF OBJECTS AND MUSEUMS
11. The Passive Object and the Tribal Paradigm: Colonial Museography in French West Africa * Philip L. Ravenhill
12. Art, Politics, and the Transformation of Meaning: Bamum Art in the Twentieth Century * Christraud M. Geary
13. Mami Wata Shrines: Exotica and the Construction of Self * Henry John Drewal
14. Zairian Popular Painting as Commodity and as Communication * Bogumil Jewsiewicki
- 巻冊次
-
ISBN 9780253330000
内容説明
"African Material Culture" unites fourteen interdisciplinary essays that open new perspectives for understanding African societies and cultures through the contextualized study of objects. Research by an international group of scholars, including anthropologists, archaeologists, art historians, historians, and linguists treats everything from the production of material objects to the meaning of sticks, masquerades, household tools, clothing, and the television set in the contemporary repertoire of African material culture. Contributors include Chike C. Aniakor, Mary Jo Arnoldi, Henry J. Drewal, Christraud M. Geary, Kris L. Hardin, Margaret Jean Hay, Bogumil Jewsiewicki, Kanimba Misago, Aneesa Kassam, Kazadi Ntole, Gemetchu Megerssa, Labelle Prussin, Philip L. Ravenhill, Michael Rowlands, and Jean-Pierre Warnier.
目次
INTRODUCTION: Efficacy and Objects Kris L. Hardin and MaryEJo Arnoldi PART I: TECHNOLOGY AND THE PRODUCTION OF FORM 1. Technological Style and the Making of Culture: Three Kono Contexts of Production Kris L. Hardin 2. Magical Iron Technology in the Cameroon Grassfields Michael Rowlands and Jean-Pierre Warnier 3. When Nomads Settle: Changing Technologies of Building and Transport and the Production of Architectural Form among the Gabra, the Rendille, and the Somalis Labelle Prussin 4. Ceramics from the Upemba Depression: A Diachronic Study Kanimba Misago 5. Objects and People: Relationships and Transformation in the Culture of the Bambala Kazadi Ntole PART II: CONSTRUCTING IDENTITIES: PRESENTING SELF AND SOCIETY WITH OBJECTS 6. Sticks, Self, and Society in Booran Oromo: A Symbolic Interpretation Aneesa Kassam and Gemetchu Megerssa 7. Material Narratives and the Negotiation of Identities through Objects in Malian Theatre Mary Jo Arnoldi 8. The Consumption of an African Modernity Michael Rowlands 9. Household Objects and the Philosophy of Igbo Social Space Chike Aniakor 10. Hoes and Clothes in a Luo Household: Changing Consumption in a Colonial Economy, 1906-1936 Margaret Jean Hay PART III: LIFE HISTORIES: CHANGING INTERPRETATIONS OF OBJECTS AND MUSEUMS 11. The Passive Object and the Tribal Paradigm: Colonial Museography in French West Africa Philip L. Ravenhill 12. Art, Politics, and the Transformation of Meaning: Bamum Art in the Twentieth Century Christraud M. Geary 13. Mami Wata Shrines: Exotica and the Construction of Self Henry John Drewal 14. Za*rian Popular Painting as Commodity and as Communication Bogumil Jewsiewicki Contents INTRODUCTION: Efficacy and Objects Kris L. Hardin and MaryEJo Arnoldi PART I: TECHNOLOGY AND THE PRODUCTION OF FORM 1. Technological Style and the Making of Culture: Three Kono Contexts of Production Kris L. Hardin 2. Magical Iron Technology in the Cameroon Grassfields Michael Rowlands and Jean-Pierre Warnier 3. When Nomads Settle: Changing Technologies of Building and Transport and the Production of Architectural Form among the Gabra, the Rendille, and the Somalis Labelle Prussin 4. Ceramics from the Upemba Depression: A Diachronic Study Kanimba Misago 5. Objects and People: Relationships and Transformation in the Culture of the Bambala Kazadi Ntole PART II: CONSTRUCTING IDENTITIES: PRESENTING SELF AND SOCIETY WITH OBJECTS 6. Sticks, Self, and Society in Booran Oromo: A Symbolic Interpretation Aneesa Kassam and Gemetchu Megerssa 7. Material Narratives and the Negotiation of Identities through Objects in Malian Theatre Mary Jo Arnoldi 8. The Consumption of an African Modernity Michael Rowlands 9. Household Objects and the Philosophy of Igbo Social Space Chike Aniakor 10. Hoes and Clothes in a Luo Household: Changing Consumption in a Colonial Economy, 1906-1936 Margaret Jean Hay PART III: LIFE HISTORIES: CHANGING INTERPRETATIONS OF OBJECTS AND MUSEUMS 11. The Passive Object and the Tribal Paradigm: Colonial Museography in French West Africa Philip L. Ravenhill 12. Art, Politics, and the Transformation of Meaning: Bamum Art in the Twentieth Century Christraud M. Geary 13. Mami Wata Shrines: Exotica and the Construction of Self Henry John Drewal 14. Za*rian Popular Painting as Commodity and as Communication Bogumil Jewsiewicki
「Nielsen BookData」 より