Patronage in sixteenth-century Italy
著者
書誌事項
Patronage in sixteenth-century Italy
John Murray, 1996
- : pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [381]-427
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780719553158
内容説明
This work describes art patronage in 16th-century Italy. For example, it was the time when Julius II and Bramante embarked upon rebuilding St Peter's; Paul III commissioned Michelangelo to paint the Last Judgement; and Sixtus V and Domenico Fontana transformed the urban fabric of Rome. Other great projects included Borromeo and Pellegrino Tibaldi introducing the ideals of the Counter-Reformation in an ambitious programme of religious architecture in Milan; the centre of Venice being dramatically remodelled by the city's government and Jacopo Sansovino; wealthy Venetian patricians building beautiful villas in the Veneto from designs by Pallado, and commissioning their altarpieces and portraits from artists of the calibre of Titian and Tintoretto. At the same time, Giulio Romano built and decorated the Palazzo del Te for Federigo Gonzaga and, perhaps in the most famous partnership of all, Vasari gave visual expression to Cosimo I's ambition in an enormous programme of building and embellishment that established Florence as a centre of artistic excellence.;
The book is not only concerned with the famous: it also includes less well-known patrons - the guilds and confraternities that were such an important feature of urban life in the Renaissance, the women whose Christian piety lay behind the decoration of many chapels in Rome and Venice, the wealthy bankers and traders who prospered in every Italian city and the new religious orders who zealously promoted Church reform in their churches, altarpieces and fresco cycles.;Her, Dr Hollingworth also examines how the patrons acquired their wealth, and how they spent it, why they invested in so much art and what factors governed their choice of themes and styles. She also discusses what process of design and construction and the complex relationships between artist, patrons, agents and advisers. Above all, she explores the impact of political and religious change on the development of 16th-century art and demonstrates the extent to which patrons controlled the final appearance of their projects.
- 巻冊次
-
: pbk ISBN 9780719553882
内容説明
This work describes art patronage in 16th-century Italy. For example, it was the time when Julius II and Bramante embarked upon rebuilding St Peter's; Paul III commissioned Michelangelo to paint the "Last Judgement"; and Sixtus V and Domenico Fontana transformed the urban fabric of Rome. Other great projects included Borromeo and Pellegrino Tibaldi introducing the ideals of the Counter-Reformation in an ambitious programme of religious architecture in Milan; the centre of Venice being dramatically remodelled by the city's government and Jacopo Sansovino; wealthy Venetian patricians building beautiful villas in the Veneto from designs by Pallado, and commissioning their altarpieces and portraits from artists of the calibre of Titian and Tintoretto. At the same time, Giulio Romano built and decorated the Palazzo del Te for Federigo Gonzaga and, perhaps in the most famous partnership of all, Vasari gave visual expression to Cosimo I's ambition in an enormous programme of building and embellishment that established Florence as a centre of artistic excellence.
The book is not only concerned with the famous: it also includes less well-known patrons - the guilds and confraternities that were such an important feature of urban life in the Renaissance, the women whose Christian piety lay behind the decoration of many chapels in Rome and Venice, the wealthy bankers and traders who prospered in every Italian city and the new religious orders who zealously promoted Church reform in their churches, altarpieces and fresco cycles. Her, Dr Hollingworth also examines how the patrons acquired their wealth, and how they spent it, why they invested in so much art and what factors governed their choice of themes and styles. She also discusses what process of design and construction and the complex relationships between artist, patrons, agents and advisers. Above all, she explores the impact of political and religious change on the development of 16th-century art and demonstrates the extent to which patrons controlled the final appearance of their projects.
「Nielsen BookData」 より