Old masters repainted : Wu Zhen (1280-1354), prime objects and accretions
著者
書誌事項
Old masters repainted : Wu Zhen (1280-1354), prime objects and accretions
Hong Kong University Press, c1995
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注記
Bibliography: p. [481]-507
includes index
内容説明・目次
内容説明
This is the most serious study to date on the topic of male same-sex relations in China during the early twentieth century, illuminating male same-sex relations in many sites: language, translated sexological writings, literary works, tabloid newspapers, and opera.
目次
- Part 1 Introduction - the problem of method: methodological considerations
- traditional Chinese connoisseurship
- Japanese contributions to studies in Chinese painting
- Western traditions in Chinese painting studies
- prime objects and image-change through processes of evolution, alternation and accretion. Part 2 The master perceived in texts and found in images: significant criteria for period style
- personal style - focusing on the master
- in search of prime objects - Yuan landscapes matching earliest sources
- two anonymous Yuan paintings
- systems check - identifying prime bamboo paintings by defined criteria
- graphology in prime objects and recensions - new perspectives in calligraphy analysis. Part 3 Altered images of the Ming and Qing periods: altered images in landscape paintings
- altered images in bamboo paintings. Part 4 Typological accretions - the master repainted in new themes and formats: accretions in landscape imagery
- accretions in bamboo manuals. Appendices: stroke-based and washed-based modes in landscape painting
- Wu Zhen and the Hanlin Chongting ascribed to Dong Yuan
- proportions and silk-widths
- measurement and condition of the Mozhupu leaves
- copies after Wu Zhen in China and Japan
- Wu Zhen seals
- Xiang Yuanbian seals
- catalogue.
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