American paintings of the nineteenth century
著者
書誌事項
American paintings of the nineteenth century
（Collections of the National Gallery of Art, systematic catalogue）
National Gallery of Art , Distributed by Oxford University Press, c1996-
- : pt. 1
- : pt. 2
- タイトル別名
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American paintings, nineteenth century
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注記
Pt. 2, t.p.: Robert Wilson Torchia with Deborah Ghotner, Ellen G. Miles
Includes bibliographical references (p. 420-442) and index
Includes bibliographical references ( Pt. 2, p. 327-336) and index
内容説明・目次
- 巻冊次
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: pt. 1 ISBN 9780894682155
内容説明
In the age of Charles Darwin and John Ruskin, nineteenth-century American artists sought to imitate the truths of nature. Works such as Albert Bierstadt's Lake Lucerne, Frederic Edwin Church's Morning in the Tropics, Thomas Cole's Voyage of Life series, and Asher B. Durand's Forest in the Morning Light are examples of the certainty of vision and faith in the nation's destiny that prevailed during this period of great expansion in America. Winslow Homer's Breezing Up (A Fair Wind), one of nine paintings by the artist in the Gallery's collection, is discussed, as are several works by Thomas Eakins, including The Biglin Brothers Racing, which was inspired by the first pair-oared race in America.
- 巻冊次
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: pt. 2 ISBN 9780894682544
内容説明
More than one hundred works are catalogued in the second of two volumes devoted to the National Gallery of Art's holdings of nineteenth-century American paintings, including virtually all of the important portraits in the collection. Distinguished in part by the concentration of works by three preeminent artists, Thomas Sully, John Singer Sargent, and James McNeill Whistler, this collection also includes John Quidor's The Return of Rip van Winkle, Albert Pinkham Ryder's Siegfried and the Rhine Maidens, and Rembrandt Peale's Rubens Peale with a Geranium. The author has skillfully untangled the misattributions, misidentifications, and inaccurate provenances surrounding many of the paintings.
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