Italian national cinema 1896-1996

Bibliographic Information

Italian national cinema 1896-1996

Pierre Sorlin

(National cinemas)

Routledge, 1996

  • : pbk

Available at  / 6 libraries

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Note

Filmography: p. [181]-186

Includes bibliographical references ([187]-192) and indexes

Description and Table of Contents

Description

From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.

Table of Contents

  • Chapter 1 First generation
  • Chapter 2 Second generation
  • Chapter 3 Third generation
  • Chapter 4 Fourth generation
  • Chapter 5 Fifth generation
  • Conclusion

by "Nielsen BookData"

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