Painting on the page : interartistic approaches to modern Hispanic texts
Author(s)
Bibliographic Information
Painting on the page : interartistic approaches to modern Hispanic texts
（SUNY series in Latin American and Iberian thought and culture）
State University of New York Press, c1995
- : pbk
Available at / 2 libraries
-
No Libraries matched.
- Remove all filters.
Note
Includes bibliographical references (p. 309-327) and index
Description and Table of Contents
Description
Painting on the Page devises critical strategies that combine psychoanalysis, feminism, semiotics, and philosophy to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting and to larger questions of art and literary history. The authors widen the theoretical lines to Hispanism, where approaches of this kind are rare. The book raises crucial concerns that relocate the art works and texts in question beyond the historical or aesthetic framework in which they have been traditionally placed.
Table of Contents
List of Figures Preface
Acknowledgments
1. Reflections on the Mirrored Room: From Work to Word
2. The Tempatation of Saint Julian in Emilia Pardo Bazan's The House of Ulloa: Bosch, Goya, and Spain's Fin de Siecle
3. All the Worl's a Museum: The Marquis of Bradomin's Textual Exhibition
4. The Infinite Progression: Love and Art in Prelude to Pleasure by Pedro Salinas
5. Male (De)Signs: Art and Society in Luis Martin-Santos
6. Exiled in The Garden of Earthly Delights: From Hieronymus Bosch to Francisco Ayala
7. Visions of a Painted Garden: Jose Donoso's Dialogue with Art
8. In Ekphrastic Ecstasy: Mario Vargas Llosa as the Painter of Desire
9. Dada at the Tropicana: Guillermo Cabrera Infante and Readymade Art
Epi(dia)logue
Notes
Works Cited
Index
by "Nielsen BookData"