Central European folk music : an annotated bibliography of sources in German
著者
書誌事項
Central European folk music : an annotated bibliography of sources in German
(Garland library of music ethnology, v. 3)(Garland reference library of the humanities, v. 1448)
Garland Pub., 1996
- : hbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
This is the first annotated bibliography, in German or English, to gather the rich sources for German-language folk-music scholarship. It presents a comprehensive view of both historical and contemporary trends in a field embracing folkloristics and ethnomusicology, as well as philological and cultural studies. Beginning with early theories of folk song-formulated by Herder, Goethe, the Brothers Grimm, and others-the book examines the most important collections of the 19th-century folk-song movement, and surveys the 20th-century institutions and publications that have made folk-music scholarship essential to an understanding of German-speaking Europe. The book represents the enormous diversity of folk music. Ideas of genre and classification contrast with the ways in which minority and ethnic groups have contributed to the complex constructs of 19th- and 20th-century nationalism. The intellectual history in this book often takes the form of a clash between institutions and the forceful personalities of scholars who theorized that folk music was the product of individuals or the linguistic core of nations. Entries that illustrate the ways in which constructs of folk music have contributed to the politics of culture (e.g., in Nazi Germany or in the workers' culture of the former German Democratic Republic) also constitute the expansive musical landscape covered by this book The author includes diverse disciplinary perspectives, not just those of folklorists, but also concepts from ethnomusicology, historical musicology, and religious and cultural studies. In addition to traditional studies of the canons of German folk music (e.g., ballads and singing-society repertories), Bohlman includes studies of religious and ethnic minorities, and of German folk music in nations and regions outside Central Europe. The comprehensive nature of this book, not only makes available a rich history of scholarship, but also contextualizes Central European folk music as a vital and critical discipline for the interpretation of a changing Europe. Includes index.
目次
- Part 1 I APPROACHING THE SUBJECT
- Chapter 1 GENRE
- Chapter 2 EDITIONS AND COLLECTIONS
- Chapter 3 MELODIC CLASSIFICATION AND ANALYSIS
- Chapter 4 INSTRUMENTS AND INSTRUMENTAL MUSIC
- Chapter 5 EUROPEAN CONCEPTS AND CONSTRUCTS OF FOLK MUSIC
- II FIELDS OF FOLK-MUSIC SCHOLARSHIP
- Chapter 6 THEORY AND METHODS
- Chapter 7 THEORETICAL SCHOOLS
- Chapter 8 RELATED DISCIPLINES
- Part 3 III SOCIAL CONTEXTS OF FOLK MUSIC
- Chapter 9 MUSICIANS
- Chapter 10 MUSICAL INSTITUTIONS
- Chapter 11 SPEECH ISLANDS AND EMIGRANT MUSIC CULTURES
- Chapter 12 REGIONALISM AND NATIONALISM
- Part 4 IV WOZU VOLKSMUSIK?-PAST, PRESENT, AND FUTURE
- Chapter 13 HISTORICAL FOLK-MUSIC RESEARCH
- Chapter 14 INTELLECTUAL HISTORY
- Chapter 15 RELIGIOUS AND ETHNIC MINORITIES
- Index
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