Paradise transformed : the private garden for the twenty-first century
著者
書誌事項
Paradise transformed : the private garden for the twenty-first century
Monacelli Press, 1996
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
The last two decades have seen a great explosion in the diversity, functionality, and beauty of modern garden design. The first major survey of contemporary private gardens, this book explores the imaginative ideas behind landscape design today. Lush color photographs, supported by plans, drawings, and lively commentary, thoroughly document gardens by twenty-eight leading landscape architects, featuring work in the United States, Europe, Japan, and Australia. An international roster of designers is represented here, illustrating acknowledged masters, such as Dan Kiley and Ian Hamilton Finlay, in addition to vital young talents, including Kathryn Gustafson and Susan Child. In each of the categories in Paradise Transformed -- tradition, abstraction, innovation, and exploration -- a distinct approach to the private landscape is revealed, achieved in original ways by each designer. The modernist aesthetic, translated from architecture, painting, and sculpture, gives form to these marvelous private spaces. Architectural and artistic influences displayed in these gardens include Art Deco, Cubism, Surrealism, Modernism, Postmodernism, Minimalism, and the Earthworks of the 1960s and 1970s. Some of the main tenets of the contemporary garden are: greater emphasis on gardens for personal use, not just plant display; the rejection of historical styles as total models and the incorporation of new concepts involving technology, architecture, and site; a variety of design themes, including symmetrical, asymmetrical, and curvilinear modes and their interplay; and a breakthrough to an ecological and regional awareness of the landscape.
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