French organ music : from the revolution to Franck and Widor
Author(s)
Bibliographic Information
French organ music : from the revolution to Franck and Widor
（Eastman studies in music）
University of Rochester Press, 1995
- : hbk
- : pbk
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Note
Includes bibliographical references and index
Description and Table of Contents
- Volume
-
: pbk ISBN 9781580460712
Description
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.
Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
Table of Contents
- Part 1 From the revolution to Franck: evolutionary schemes -organists and their revolutionary music, Kimberly Marshall and William J. Peterson
- organ music in the Mass of the Parisian rite to 1850 with emphasis on the contributions of Boely, Benjamin Van Wye
- Boely's "Quatorze Preludes sur des Cantoques de Denisot" op.15, and the creation of a French "Christmas" "Orgelbuchlein", Craig Cramer
- Lemmens, his "Ecole d'orgue" and 19th-century organ methods, William J. Peterson. Part 2 Franck - the texts: Paris, Bibliotheque Nationale, MS 8707 - a new source for Franck's registrational practices and its implications for the published registrations of his organ works, Jesse E. Eschbach
- from manuscript to publication - Franck's "Choral" no.1, Karen Hastings-Deans. Part 3 Franck - issues in performance: the organ works of Franck - a survey of editorial and performance problems, Marie-Louise Jaquet-Langlais
- some thoughts on the interpretation of the organ works of Franck, on his organ and on the Lemmens tradition, Daniel Roth. Part 4 Widor and his contemporaries: "Why should we not do the same with our Cathlic melodies?" - Guilmant's "L'Organiste liturgiste" op.65, Edward Zimmerman and Lawrence Archbold
- Widor's "Symphonie romane", Lawrence Archbold
- the organ of the Trocadero and its players, Rollin Smith.
- Volume
-
: hbk ISBN 9781878822550
Description
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practicetraditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.
Contributors: Kimberley Marshall, William J. Peterson, Benjamin Van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlais, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith.
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