The languages of landscape
Author(s)
Bibliographic Information
The languages of landscape
Pennsylvania State University Press, c1997
Available at 30 libraries
  Aomori
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  Toyama
  Ishikawa
  Fukui
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  Gifu
  Shizuoka
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  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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Note
Bibliographical references: p. [239]-276
Includes index
Description and Table of Contents
Description
In The Languages of Landscape, Mark Roskill employs a new approach to understanding Western landscape art, from antiquity to the present, by linking the concerns of its creators to the ways in which such art was viewed in successive periods or contexts. Roskill uses new methodologies deriving from sociology, anthropology, the study of rhetorical theory, and especially a version of visual semiotics for this analysis.
The discussion covers artists not usually associated with landscape, such as Goya and Gericault, as well as major figures such as Bruegel and Durer. Roskill ranges over topics of current interest such as the gendering of art; art in the service of colonialism; popularized uses of landscape; and the imagery of war-scarred countryside. He addresses issues of intertextuality; audience awareness; response to social and industrial developments; the tropologies of rhetoric as they apply to visual imagery; and the problematic status of landscape art in this century.
Thematically organized within a loosely chronological framework, The Languages of Landscape combines detailed analysis of specific examples with supporting material, related texts of the time, and a larger theoretical exposition. At the same time it serves as a reference work on basic topics such as the rise of independent landscape and the picturesque and the sublime. Eighty illustrations, including twelve in color, accompany the text, and an appended glossary of technical and linguistic terms is provided.
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