Egyptomania : Egypt in western art, 1730-1930
著者
書誌事項
Egyptomania : Egypt in western art, 1730-1930
Réunion des Musées Nationaux , National Gallery of Canada, c1994
- fr : pbk
- cn : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Paris, Musée du Louvre, 20 January-18 April 1994; Ottawa, National Gallery of Canada, 17 June-18 September 1994; Vienna, Kunsthistorisches Museum, 15 October 1994-29 January 1995"
Bibliography: p. 583-596
Includes index
内容説明・目次
内容説明
This volume traces the waves of Egyptian influence which swept Europe and North America from the first modern use of Egyptian themes in a painting by Poussin in 1647 to Baccarat perfume bottles shaped like Ramses, inspired by the discovery of the tomb of Tutankhamun in 1922. Egyptian imagery is presented in a collection of artwork spanning the Baroque to Art Deco, from ceramics by Wedgwood to jewellery by Cartier, murals by Piranesi, architectural designs by Zix, paintings by Tiepolo and furniture by Hope. In all, 350 objects are rendered in 206 colour and 630 black-and-white illustrations. They come from international museums, private lenders such as the House of Cartier, and collections from Fontainebleu, Versailles, Malmaison and Buckingham Palace. Essays by art historians from Paris, Vienna and Ottawa give detailed histories of each object and artist. An introduction, by the editors, provide an overview of Egyptomania - the artistic legacy of cultural revivals which began in the days of the Roman Empire. Their analysis shows how Egyptomania has been spurred by military conquests, scientific developments, archaeological findings, museum exhibitions and other events.
"Egyptomania" is published for a jointly organized exhibition held at the National Gallery of Canada, Ottawa (June 17 to September 18, 1994), the Musee du Louvre, Paris (January 20 to April 18, 1994) and the Kunsthistorisches Museum, Vienna (October 15, 1994 to January 30, 1995).
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