Avant-gardes and partisans reviewed
著者
書誌事項
Avant-gardes and partisans reviewed
Manchester University Press, 1996
- : pbk
大学図書館所蔵 件 / 全15件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780719043987
内容説明
The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such "Masters" of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history.
目次
- Rooted in the earth - a Van Gogh primer
- Les Donnees Bretonnantes - La preire de representation
- reactions to Renoir keep changing
- Van Gogh and Holland - nationalism and modernism
- cloisonism?
- don't take the Pissarro - but take the Monet and run! or memoirs of a not so dutiful daughter
- avant-gardes and partisans reviewed
- Jackson Pollock, painting and the myth of photography
- action, revolution and painting
- footnote one - the idea of the Cold War
- killing men and dying women - a woman's touch in the cold zone of American painting in the 1950s.
- 巻冊次
-
: pbk ISBN 9780719043994
内容説明
The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such 'Masters' of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history. -- .
目次
- Rooted in the earth - a Van Gogh primer
- Les Donnees Bretonnantes - La preire de representation
- reactions to Renoir keep changing
- Van Gogh and Holland - nationalism and modernism
- cloisonism?
- don't take the Pissarro - but take the Monet and run! or memoirs of a not so dutiful daughter
- avant-gardes and partisans reviewed
- Jackson Pollock, painting and the myth of photography
- action, revolution and painting
- footnote one - the idea of the Cold War
- killing men and dying women - a woman's touch in the cold zone of American painting in the 1950s.
「Nielsen BookData」 より
