Bad women : regulating sexuality in early American cinema
著者
書誌事項
Bad women : regulating sexuality in early American cinema
University of Minnesota Press, c1995
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Filmography and bibliography : p. 207-217
Includes index
内容説明・目次
内容説明
How did cultural tensions about "appropriate" behaviour for women play out in early 20th-century films? Janet Steiger examines a classical period in Hollywood cinema during which the notion of the "bad woman" was created, magnified and spread nationwide. She isolates 1907-1915 as the key moment in the struggle over the meaning of "woman" as a sign, and illustrates how such issues as sexuality and hygiene were being reimagined to define an appropriate version of, and explanation for, women's sexuality. The early 1900s saw the repeal of reticence laws, opening up issues of behaviour and sexuality for wide discussion. The movies of the time portrayed "good women" as intelligent, self-assertive, and desiring - as long as what they desired was appropriate and their desire was not excessive. "Bad women" in turn, were wayward and oversexed. She proposes that these images of "good" and "bad" women suggested a middle-class vision of sexual morality, a vision that was not necessarilly repressive, rather a response to how women and women's sexuality might most appropriately fit a developing consumer society.
This work provides important and interesting insights about the role of cinema as a redemptive instrument during the progressive era. Staiger examines how self-regulation institutions within the film industry were advocates of one sector of the middle-class. She discusses what effect the formation of the National Board of Review and the New York City censorship board had on sexual regulation through an in-depth exploration of these films: Traffic in Souls", "A Fool There Was" and "The Cheat".
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