See : a journal of visual culture

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書誌事項

See : a journal of visual culture

Friends of Photography, 1994-

  • autumn 1994
  • 1:1/winter 1995
  • 1:2/1995

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注記

Editor in chief: Andy Grundberg

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内容説明・目次

巻冊次

autumn 1994 ISBN 9780262560849

内容説明

see, a quarterly journal published by The Friends of Photography,presents striking photography and fine writing that explore the impactof lens-based images on contemporary culture. Unlike other photography-related journals currently being published,see neither limits itself to technical aspects of the artmaking processnor isolates the medium by presenting images in a strictly photographiccontext. Rather, see places the medium within the broad discourse ofvisual culture, including literature that addresses visual ideas. Photographsby contemporary artists as well as classic or underappreciated images culledfrom the medium's 150-year history, and from other image-based media, arefeatured in tandem with fiction, poetry, essays, and critical writings that respond to ourimage-dominated surroundings. In addition to beautifully reproduced portfolios of artists' work andinsightful, provocative writings, regular features of see include asection of artist's pages; reviews of current exhibitions, books, andmultimedia titles; and a column in which see editor-in-chief AndyGrundberg addresses topical issues. Another regular feature addresses original and humorousanalyses of fictional photographers within the realm of popular culture. Contents of the premier issue: Portfolio, Susan Derges.Viewfinder, fiction by Raymond Carver. Real EstatePhotographs, Henry Wessel. Anna Lee's Pictures, JuliaParker-Pribuss. Bedrooms, poem by Sandra McPherson. Open Space: One Story about June Riley, Susan Schwartzenberg.Skellig, David Ireland. The Africa Series, Carrie Mae Weems.Out of a Picture by Arbus, essay by Rebecca Solnit. Collage, poemby Quincy Troupe. The Presidio: A City Woodland, Lyle Gomes. InPrint: Road Work, reviews by Glen Helfand. The Photographers: TheShooter, essay by Michael Read. On Display: The Theater ofRefusal: Black Art and Mainstream Criticism, essay by Maurice Berger.State of the Art: Surface Effects, essay by Andy Grundberg.
巻冊次

1:1/winter 1995 ISBN 9780262560870

内容説明

see, a quarterly journal published by The Friends of Photography, presents striking photography and fine writing that explore the impact of lens-based images on contemporary culture. see places the medium of photography within the broad discourse of visual culture, including art, advertising, mass media, and literature. Unlike conventional photography-related journals, see lets photographers speak for themselves about their work and gives writers the freedom to address visual issues across a broad spectrum of concerns. Photographs ranging from contemporary to historical, as well as images from lens-based media amd new electronic environments, are featured in tandem with fiction, poetry, essays, and critical commentary that respond to our image-dominated surroundings. In addition to beautifully reproduced portfolios of photographs and insightful, provocative writings, each volume of see includes a section of artist's pages, reviews of current exhibitions, books, and multimedia titles; and regular columns that address the formative and functional aspects of visual culture.
巻冊次

1:2/1995 ISBN 9780262560887

内容説明

see, a quarterly journal published by The Friends of Photography, presents striking photography and fine writing that explore the impact of lens-based images on contemporary culture. see places the medium of photography within the broad discourse of visual culture, including art, advertising, mass media, and literature. Unlike conventional photography-related journals, see lets photographers speak for themselves about their work and gives writers the freedom to address visual issues across a broad spectrum of concerns. Photographs ranging from contemporary to historical, as well as images from lens-based media amd new electronic environments, are featured in tandem with fiction, poetry, essays, and critical commentary that respond to our image-dominated surroundings. In addition to beautifully reproduced portfolios of photographs and insightful, provocative writings, each volume of see includes a section of artist's pages, reviews of current exhibitions, books, and multimedia titles; and regular columns that address the formative and functional aspects of visual culture.

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