Imaging desire
著者
書誌事項
Imaging desire
MIT Press, c1996
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical notes and index
内容説明・目次
内容説明
"Imaging Desire", Mary Kelly's collection of writings from 1976 to 1995, asks fundamental questions about the analysis of current practices in art and makes rigorous arguments for a criticism informed by semiotics, psychoanalysis and feminism. Few artists have made such a strong contribution to critical discourse and art as Mary Kelly, who for more than 20 years has pushed the boundaries of the visual, the textual, the sexual and the political in her writing and her art. In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and disussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today. "Imaging Desire" contains all the seminal texts and reveals crucial points of intersection between written and visual expression in a career known for its intertextual, interdiscursive features.
Here the visible, the oral, the gestural and the readable continually converge to frame questions about the body in ways that redefine its cultural and visual status, and to explore the relation between images and desire. "Imaging Desire" is also a kind of conceptual autobiography in which the author's early interrogations of maternal fetishism and feminine masquerade are seen as foundations of her later investigations of masculine display. The essays demonstrate that much of feminism's transformative impact on contemporary art is grounded in Kelly's pioneering work.
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