The spirit of Montmartre : cabarets, humor, and the avant-garde, 1875-1905
著者
書誌事項
The spirit of Montmartre : cabarets, humor, and the avant-garde, 1875-1905
Jane Voorhees Zimmerli Art Museum, c1996
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Coincides with the exhibition held at Jane Voorhees Zimmerli Art Museum, March 24-July 31, 1996; the Society of the Four Arts, Palm Beach, March 21-April 18, 1997; the Samuel P. Harn Museum, University of Florida, Gainesville, August 4-October 27, 1997
Includes bibliographical references (p. 249) and index
内容説明・目次
内容説明
With the Chat Noir cabaret (1881-1897) and the Quat'z 'Arts cabaret (1893-1910) as its main focus, and concentrating on individuals who participated in the group activities of the Hydropathes (1878-1881) and the Incoherents (1882-1896), this collection of five essays documents and explores the development of the Montmartre cabaret from 1875 to 1905. Montmartre is revealed as the primary promoter, catalyst, and often, site for the collaboration of artists, writers, composers, and performers in the production of illustrated journals, books, dramatic pieces, music, puppet shows, and the protocinema invention of shadow theater. The contributors reveal the essence of Montmartre's artistic, intellectual environment and analyze its inextricable relations with an important, multidisciplinary body of avant-garde, fin-de-siecle art, literature, and music.
The Spirit of Montmartre is the story of Paris's earliest, original, avant-garde groups - an essential part of the cultural context for Impressionist and Post-Impressionist painters and for such important writers and composers as Mallarme, Zola, Huysmans, Debussy and Satie. Relying on Rabelaisian humor, this ephemeral avant-garde group phenomenon anticipates twentieth-century Dada, Surrealism fluxus, and Performance Art. In addition to the editors, the contributors are Olga Anna Dull, Daniel Grojnowski, and Steven Moore Whiting.
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