Re-viewing reception : television, gender, and postmodern culture
著者
書誌事項
Re-viewing reception : television, gender, and postmodern culture
（Theories of contemporary culture, v. 18）
Indiana University Press, 1996
- : pbk
- タイトル別名
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Reviewing reception
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-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [219]-235) and index
内容説明・目次
- 巻冊次
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: pbk ISBN 9780253210784
内容説明
Focusing on U.S. television of the 1980s - from "Miami Vice", "Moonlighting", and "Pee-wee's Playhouse" to "Max Headroom" - Lynne Joyrich explores how gender affects the reception of television. She traces how the medium has been characterized as 'feminine' and then turns to the television shows themselves. She analyzes a range of genres and forms: melodramas (historically associated with women); action and crime dramas (aimed at men); dramas that try to distinguish themselves as 'quality' television; programs that emphasize the traditional family, while redefining that family to incorporate disruptions of race, class, and gender; and, programs that self-consciously announce television's 'difference' through strategies that call attention to the medium itself or its institutions. Drawing on feminist, psychoanalytic, and postmodern theory, Joyrich provides a comprehensive analysis of television and television studies.
目次
1. Universal Reception 2. Good Reception? Television, Gender, and the Critical View 3. All That Television Allows: TV Melodrama, Postmodernism, and Consumer Culture 4. Threats from within the Gates: Critical and Textual Hypermasculinity 5. Tube Tied: Television, Reproductive Politics, and MoonlightingOs Family Practice 6. OInto the SystemO: Television and the Cyborg Subject(ed) 7. Networking: Interlacing Feminism, Postmodernism, and Television Studies Notes Works Cited Index
- 巻冊次
-
ISBN 9780253330765
内容説明
Focusing on U.S. television of the 1980s, from "Miami Vice", "Moonlighting", and "Pee-wee's Playhouse" to "Max Headroom", Lynne Joyrich explores how gender affects the reception of television. She traces how the medium has been characterized as "feminine" and then turns to the television shows themselves. She analyzes a range of genres and forms: melodramas (historically associated with women); action and crime dramas (aimed at men); dramas that try to distinguish themselves as "quality" television; programs that emphasize the traditional family, while redefining that family to incorporate disruptions of race, class, and gender; and programs that self-consciously announce television's "difference" through strategies that call attention to the medium itself or its institutions. Drawing on feminist, psychoanalytic, and postmodern theory, Joyrich provides a comprehensive analysis of television and television studies.
目次
1. Universal Reception 2. Good Reception? Television, Gender, and the Critical View 3. All That Television Allows: TV Melodrama, Postmodernism, and Consumer Culture 4. Threats from within the Gates: Critical and Textual Hypermasculinity 5. Tube Tied: Television, Reproductive Politics, and MoonlightingOs Family Practice 6. OInto the SystemO: Television and the Cyborg Subject(ed) 7. Networking: Interlacing Feminism, Postmodernism, and Television Studies Notes Works Cited Index
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