American drama : the bastard art
著者
書誌事項
American drama : the bastard art
（Cambridge studies in American theatre and drama）
Cambridge University Press, 1997
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注記
Includes bibliographical references (p. 208-231) and index
内容説明・目次
内容説明
In this book, Susan Harris Smith looks at the many often conflicting cultural and academic reasons for the neglect and dismissal of American drama as a legitimate literary form. Covering a wide range of topics such as theatrical performance, the rise of nationalist feeling, the creation of academic disciplines, and the development of sociology, Smith's study is a contentious and revisionist historical inquiry into the troubled cultural and canonical status of American drama, both as a literary genre and as a mirror of American society.
目次
- Acknowledgments
- 1. Introduction: the problem of American drama
- 2. Generic hegemony: the exclusion of American drama
- 3. No corner in her own house: what is American about American drama?
- 4. Did she jump or was she pushed? American drama in the university curriculum
- 5. Caught in the close embrace: sociology and realism
- 6. Conclusion: beyond hegemony and canonicity
- References
- Index.
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