The new world border : prophecies, poems & loqueras for the end of the century
Author(s)
Bibliographic Information
The new world border : prophecies, poems & loqueras for the end of the century
City Lights, c1996
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Description and Table of Contents
Description
The New World Border is a carnivalesque inversion of ethnic and geo-political ideology, a disorienting free-fall into the space between cultures, and a head-on collision with the real and imagined borders that separate North and South. Hero of a thousand syncretic faces -- intercultural interpreter, reverse anthropologist, experimental linguist, and political artist of the first order -- Guillermo Gomez-Pena has won international acclaim for his efforts to create a hybrid culture and to articulate a borderless ethos. In this new collection of essays, poems, and performance texts, Gomez-Pena muses, often tongue-in-cheek, on matters of race, nationality, language, and identity. With a heady mix of pop culture, provocative iconography, political satire, ethnic stereotypes, and guerrilla theory, he explores "the territory of cultural misunderstanding." "In everything he does, he remains an indomitably playful phrasemaker; a fertile rethinker of cultural contradictions, cliches, and conundrums; and an inspiring recruiter for a playground army of cultural pluralists."
--The Village Voice "Gomez-Pena invites the reader into uncharted territory: the vast, intercontinental border zone where people live between and across cultures and countries, creating a thoroughly hybrid society where the only cultural "others" are those who stubbornly resist "mestizaje". The New World Border is both wildly entertaining and thoughtfully incisive, inducing a kind of cultural vertigo that erases the borders between 'us' and 'them'. The New World Border is a required addition to all literary and multicultural studies collections!" --Midwest Book Review "Guillermo Gomez Pena is a clear example of the work that originates from and about the border. His work deals with borders, with their existence, construction, reconstruction, definition, and eventual questioning. In this context, the aim of this essay is to explore the way the artist puts into practice his conceptualization of the border reality in The New World Border: Prophecies for the End of the Century, which toured worldwide and in front of very diverse, international audiences."
--Amaia Ibarraran Bigalondo, Journal of Contemporary Drama in English Guillermo Gomez-Pena was born in Mexico City in 1955 and came to the U.S. in 1978. His work, which includes performance art, poetry, journalism, criticism, and cultural theory, explores cross-cultural issues and North/South relations. He is the recipient of an American Book Award for The New World Border and a MacArthur Foundation Genius Award, among many other honors. One of his other works, Codex Espangliensis, was also published by City Lights Publishers.
by "Nielsen BookData"