Rhythm and noise : an aesthetics of rock
著者
書誌事項
Rhythm and noise : an aesthetics of rock
I.B. Tauris, 1996
- : hbk
- : pbk
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注記
Includes bibliographical references (p. [261]-264) and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9781860640896
内容説明
Roving through the history of rock music from Elvis Presley's first recordings in 1954 to kurt Cobain's suicide in 1994, This book gives an account of rock as a distinct artistic medium. Theodore Gracyk argues that rock and roll is a performance style, one in a number of musical styles comprising rock. What distinguishes rock is how it is mediated by technology: the art of rock is in the recording. In establishing this claim, he uses interviews, observations of the critics and comparison with other musical forms. He also takes up popular academic myths and stereotypes about rock and focuses on the features that generate controversy. Finally, he investigates the relationships between rock and romanticism and commercialism, and challenges the orthodoxy of making grand distinctions between "serious" and "popular" art.
目次
- That wild, thin mercury sound - ontology
- I'll be your mirror - recording and representing
- record consciousness
- pump up the volume
- jungle rhythms and the big beat
- Adorno, jazz and the reception of popular music
- romanticizing rock music
- sing o' the times - ideology and aesthetics.
- 巻冊次
-
: pbk ISBN 9781860640902
内容説明
Roving through the history of rock music from Elvis Presley's first recordings in 1954 to kurt Cobain's suicide in 1994, this book gives an account of rock as a distinct artistic medium. Theodore Gracyk argues that rock and roll is a performance style, one in a number of musical styles comprising rock. What distinguishes rock is how it is mediated by technology: the art of rock is in the recording. In establishing this claim, Gracyk uses interviews, observations and comparisons with other musical forms. He investigates the relationships between rock and romanticism and commercialism, and challenges the orthodoxy of making grand distinctions between "serious" and "popular" art.
目次
- That wild, thin mercury sound - ontology
- I'll be your mirror - recording and representing
- record consciousness
- pump up the volume
- jungle rhythms and the big beat
- Adorno, jazz and the reception of popular music
- romanticizing rock music
- sing o' the times - ideology and aesthetics.
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